A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.
A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.
An extensive interview with legendary director Andrei Tarkovsky conducted by Donatello Baglivo.
Four filmmakers working in the region of Galicia (in the northwest of Spain) follow and portray on the screen Galician artists working in disciplines of different nature. The result is four pieces around the creative process of these artists. Lois Patiño film their parents working on their paintings in their studio in Vigo, Jaione Camborda films dancer Janet Novás rehearsing for one of her pieces, Xisela Franco follows film director Margarita Ledo revisiting the location of her latest film Nation and Alfonso Zarauza reflects on the relationship between actress-director by putting together the work of Melania Cruz in two of their collaborations.
Filmmaker Peter Sasowsky examines the life and work of artist Joe Davis
Photography trip to Bolivia filmed with a rostrum camera and edited with original sounds from the country.
A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.
Terra incognita
Published in 1949, The Second Sex became the bible of global feminism. An essential work that passionately advocates for gender equality, women's independence, and the liberation of morals. Today, how does this seminal work continue to resonate in our contemporary world? Conceived as an initiatory journey to the origins of Simone de Beauvoir's thinking, the film The Second Sex: In the Footsteps of Simone de Beauvoir takes us to the United States, to the places that inspired the philosopher and nourished her theories. An American road trip bringing together the worst and the best, predatory capitalism and mad love. A unique reinterpretation in the company of the great thinkers of our century.
Amid Guanajuato's vibrant streets, an aging filmmaker becomes a modern Don Quixote, joined by a spirited young animator as his loyal Sanchia. Together, they navigate themes of mortality, unfulfilled dreams, and the fragile line between madness and clarity, uncovering the transformative power of light, art, and the landscapes that shape our souls.
In this new video essay, filmmaker Alexandre O. Philippe delves into the dread-inducing mood and tone of Kiyoshi Kurosawa’s modern horror classic Cure, deploying a dizzying range of cinematic references to unravel the film’s eerie magic.
What is the purpose of our existence ? What is the soul ? Which are the power of mind, of conscience ? What is our link to nature ? Pondering these existential questions, this movie invites us to find out an universal wisdom, meeting shamans, healers, yogis, but also philosophers and doctors. From Mongolia plains to the Amazonian forest, it leads us far than we expected at first.
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
Two decades on from Cinema of Unease, Tim Wong’s essay film contemplates the prevailing image of a national cinema while privileging some of the images and image-makers displaced by the popular view of filmmaking in Aotearoa. Now streaming for free at: films.lumiere.net.nz
KWAIDAN
1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.
A street in downtown Warsaw transforms into a kaleidoscopic portrait of Polish society. Behind the viewfinder is an Indian immigrant, who seeks to overcome the boundaries between himself and an anxiety-ridden country.
For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.