Patent Nr. 314805

Two part biography of Greta Garbo - 1. The Temptress 2. The Clown. Reminiscences of her early life in Stockholm, with excerpts from her films. Narrated by Bibi Andersson.

Animated figure Talkie gets a visit from his friend Mutie in search for a job. Talkie takes him to the Western Electric sound lab...

The Revelers sing a couple of songs around the piano.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were used by her and everyone had a motive to see her dead. The only witness to the crime has also been 'rubbed out'. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer.

The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.

A woman tells a girl who's just been rescued from a notorious rake, four stories of men from her own life, one of whom she had to kill to protect herself.

A highly respectable lawyer becomes a sexual animal after working hours; His live-in mother-in-law tries to keep him in line. When an actor-impersonator comes to see him, the two switch lives.

A follower of Napoleon escapes the firing squad, flees to a woman's bedroom and winds up butler.

Joe Lane, radio entertainer and songwriter, learns that the manager of the studio, Arthur Phillips, has made improper advances to his wife, Katherine. Infuriated, Lane engages him in a fight, and the encounter results in Phillips' accidental death. Joe goes to prison for a few years, and when he is released he visits his son, Little Pal, at school and is begged by him to run away together.

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

In a small town in Virginia, Faith Corey, daughter of a socially prominent family, meets and falls in love with Jerry Malone, a prizefighter, though her straitlaced mother wants her to marry Siegfried, a spellbinding "missionary reformer." Though Grandma Corey promotes the romance with the prizefighter, Mike, the fighter's hardboiled, wisecracking manager, tries to keep them apart; following a quarrel, Faith reconciles herself to marrying Siegfried, but when he invites a group of "weak sisters" to a revival meeting, he is disgraced when one accuses him of her downfall. Finally, with Mike's advice, Jerry wins back Faith and they are united with the family's blessings.

Jamai Shashthi was the first Bengali talkie short film produced in 1931.

The film starts at the countryside, where station master Viirimäki is spending his summer holiday. He has gotten into the holiday mood to the extent that he wakes up from his stupor at the very moment he should already be getting back to work. Unfortunately the last ship from the island where he has been vacationing has already sailed, but as luck would have it, local residents Himanen and Kehkonen promise to help him out. Things turn out differently, however, and the attempt to help starts out an adventure filled with misunderstandings and plot twists.

These days it seems that nothing is as polarizing and controversial as religious belief. Everywhere one goes it seems that people are asking the question: Do we even need religion? Is it limiting our understanding? What kind of world is being produced by these faith systems? Regardless of your answers to these questions, it is hard to deny that worship still plays an important role in many people's lives and many people simply do not understand where others are coming from. Believers is a unique exploration of those questions related to faith by focusing the lens on five of the world's belief systems, Agnosticism, and the new Atheism. The film follows Sacha Sewhdat's personal journey towards understanding as he searches for the value of religion in modern society. With honesty and objectivity Sacha explores what it means to believe in a higher power or what it would mean to let those beliefs go. It will both inform and challenge what you know about religion in the 21st Century.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

The "stone in the mouth" is the scar that the mafia makes on betrayal's corpse. The modern mafia has the historical and sociological roots into the birth of the american capitalism at the time of Roosevelt. The American "Cosa Nostra" applies the similar methods as the sicilian mafia: same apparatus, same "omertà", same power and same terror. Giuseppe Ferrara, journalist and writer, uses fragments footage, film clips, and current news to make this film.

Documentary that explores the life and career of leading man Cary Grant through film clips and interviews. Produced as S18E03 of the long running series American Masters.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

Africa Trek