In the small town of Rechnitz a terrible crime against humanity was performed during the holocaust. Until now, no-one dares to talk about it.
The classic movie "The Great Escape" was based on a real life escape attempt during the second world war. This documentary follows Archaeologists who are trying to find the original tunnels dug by the real prisoners of war who escaped. Some of the surviving prisoners also join the team to assist with the tunnel locations and to describe what it was really like to live that situation. In an effort to understand the technical details of how this feet of ingenuity was achieved, the team recreate some of the equipment used by the prisoners.
The nostalgic retrospective of the time from a very candid perspective, over five chapters.
1516, Legend has it that the king of Algiers had a wife named Zaphira. When the pirate Aroudj Barbarossa arrives to liberate the city from the Spaniards, he is determined to conquer Zaphira as well as the kingdom itself. But is Zaphira willing to let him, or is she plotting for herself?
Romanian documentary about the Struma disaster in 1942.
In the late 1960s, the Beach Boys' Brian Wilson stops touring, produces "Pet Sounds" and begins to lose his grip on reality. By the 1980s, under the sway of a controlling therapist, he finds a savior in Melinda Ledbetter.
United States Navy Training Film produced under the supervision to the Bureau of Aeronautics by Walt Disney Productions in Technicolor
In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.
Cologne is the largest city that the G.I.s will take during the war. Nazi propaganda has declared the city to be defended to the last cartridge. Witness the US troops first hand on their advance from the outskirts of the city to the banks of the Rhine and the fascinating research of the Cologne journalist and film historian Hermann Rheindorf.
Ralph Rush, a Scout in General George S. Patton's World War II Intelligence & Reconnaisance Platoons went from digging up German mines to being the first American to enter the Ohrdruf Concentration Camp; the first concentration camp liberated by the Allies.
When our elders pass away, they live on through the stories of them that we share, keeping us warm when we feel cold, and cheering us up in our darkest times. “A Collection of My Father” tells the story of Vincent Faulls, a WWII soldier, devoted husband, and loving father.
Within hours of the Japanese attack on Pearl Harbor, bombs rained down on U.S. and Filipino forces in the Philippines. After months of vicious fighting, Allied forces surrendered on the island only to be met with a brutal march to P.O.W. camps dotted across the islands. Thousands died on the marches, before reaching the P.O.W. camps where countless more died. The surrender of the Philippines, now almost forgotten in U.S. history, is commemorated in the Philippines every year.
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
In September 1942, the German Afrika Korps under Rommel have successfully pushed the Allies back into Egypt. A counter-attack is planned, for which the fuel dumps at Tobruk are a critical impediment. In order to aid the attack, a group of British commandos and German Jews make their way undercover through 800 miles of desert, to destroy the fuel dumps starving the Germans of fuel.
The Mediterranean, 1941/42 - Axis forces are using frogmen and manned torpedoes to attack previously impregnable harbours. The Allied forces need to come up with something to answer this threat, which they find in the form of Lt. Lionel "Buster" Crabb.
Assigned to oversee the development of the atomic bomb, Gen. Leslie Groves is a stern military man determined to have the project go according to plan. He selects J. Robert Oppenheimer as the key scientist on the top-secret operation, but the two men clash fiercely on a number of issues. Despite their frequent conflicts, Groves and Oppenheimer ultimately push ahead with two bomb designs — the bigger "Fat Man" and the more streamlined "Little Boy."
A docudrama depicting a hypothetical nuclear attack on Britain. After backing the film's development, the BBC refused to air it, publicly stating "the effect of the film has been judged by the BBC to be too horrifying for the medium of broadcasting." It debuted in theaters in 1966 and went on to great acclaim, but remained unseen on British television until 1985.
The work of Leiden professor Bastiaans on dealing with the trauma of war victims attracts the attention of filmmaker Louis van Gasteren. He decides to make a film about the psychotherapeutic treatment with LSD of a former concentration camp prisoner in the clinic of Bastiaans. Patient Joop is arrested in September 1941 and begins a long hellish journey through various camps, until he is liberated by the Russians. When he returns to his wife, he has become a completely different man. Joop suffers from nightmares and is incapable of normal human contact. With two cameras, Van Gasteren records approximately six and a half hours of the first treatment that Joop undergoes with Bastiaans (four more will follow later). Special attention is paid to details: Joop's hands, the sweat on his forehead, a tear running slowly down his cheek. Van Gasteren reduces the recordings to more than an hour.
Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.
A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.