Merely Marvelous is a celebration of the art and life of Broadway's greatest dancing star, Gwen Verdon. She overcame many obstacles, including rickets, the Hollywood system, a loveless first marriage and a difficult second marriage to choreographer/director Bob Fosse, to become a multi-Tony Award-winning performer. Gwen's life is told through interviews with family members and theatre associates as well as a mine of rare footage from her Broadway and Hollywood careers. Merely Marvelous is the story of a brave woman who rose to the very top of her profession.
Die Zeit meines Lebens - Dirty Dancing in Ost und West
This biographical drama, based on the late actress's autobiography, chronicles her attempts to rescue her drug addicted son while simultaneously trying to overcome her life-threatening cancer.
Elvis and Priscilla are one of the most famous celebrity couples of all time. But the story that lies beneath the glamorous facade is more toxic than what first meets the eye. Elvis has defined Pricilla's life. His comment that she was "young enough that he could train her any way he wanted", in the end, came true. Though their relationship was bound by true love, what were the conditions that let it flourish?
A beautiful and vital film that tells the story of a young woman's fight with death.
Tribute to entertainer Cilla Black.
Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.
Shaft: Still the Man
A portrait of Dana Plays' 90 year old paternal grandmother, Peggy Regler, reminiscing about her love affairs and significant relationships. Regler tells about her failed first marriage, the agreement she had to stay until the children were grown (but to see other lovers) which resulted in the true love she found with her second husband and renowned writer Gustav Regler, who later died a tragic death in India. The love affairs are historically rooted in the political and technological developments 20th century, and are narratively based in a complex sound/image structure. Interludes (silent optically printed film passages narrated with inter-titles excerpted from her diaries, and early childhood memories) formalistically refer to early cinema. The footage in these passages is re-contextualized and interwoven metaphorically throughout the text.
The astonishing life-story of “Lili Marleen“ composer Norbert Schultze.
A documentary about filmmaker Marguerite Duras.
The Making of 'Red Eye'
Le rêve du commendatore
Inside Traffic: The Making of 'Traffic'
Documentary about Charles Olson, exploring his life and the significance of Gloucester, Massachusetts.
Tita Cervera - La Baronesa
Built in 1942 by a maverick film preservationist, this small Los Angeles theater championed silent film at the very moment when the Hollywood studios across town were busily destroying their nitrate inventories. With hard chairs, phonograph-record accompaniments, and mostly original vintage prints, the dingy mom-and-pop operation was nonetheless a palace to the fanatical few who became its loyal audience.
An electrifying glimpse into the complex life and thrilling, unparalleled performances of rock and roll's first and wildest practitioner: Jerry Lee Lewis.
Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.
Ray Lowden keeps seventy-two large birds of prey, five deer and some wallabies at his place in Northumberland, England. He has had ten days off in twelve years and loves what he does. The film is a little homage to his variously coy, imperious, curious, stubborn and comic raptor menagerie.