While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in taboo trysts and a tangled love triangle.
Horacio reunites with his father and together remember the past.
Seppo, a forestry machine driver, receives an email from a mysterious woman called Miss Zahra, telling him about her money problems. Although his close friends claim the letter is a hoax, Seppo decides to follow his love abroad and save his heart for the chosen one.
Collection of short films by various directors based on dreams, 42 seconds each. It was produced by the world's most awarded vodka "42 Below", known for doing things differently , with other Chinese User Generated Films.
Laklak
The chronicle of Pascal, a community employee in a village near Ajaccio. A soccer fan, he decides to spend his vacation in Manchester.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
If Tomorrow Comes
In a Cafe Without a Name
Upstairs-downstairs neighbors Dan and Mia have never met, but the thin floor between their apartments offers its own kind of intimacy. In an alternative reality where sounds – and the sensory memories that accompany them – can be captured in food storage containers, Dan approaches Mia with a proposal. He offers some of the sounds of his life in exchange for some of the sounds of hers.
Gabriel rents a room in Juan’s House. They work together in a Woodwork place. Gabriel is a very quiet guy and has a little daughter. Juan is a party boy who has a lots of girls around. Inadvertently the sexual tension starts to grow between them. It opens a new hidden forbidden world they have to deal with.
Michael, a lonely gay singer-songwriter terrified of pursuing his musical dreams and exploring romantic intimacy, relies on his best friend and her girlfriend for support and affection. However, when he meets a newly open married couple seeking a casual encounter, the three men enter into a relationship that is more vulnerable than any of them ever expected.
Joo-young tries to call a friend on her birthday after a long time, only to find out that her number is not in use anymore. She spends all day to find her and learns some things she never knew about her lost friend up until now. Soon, the forgotten memory of that day comes back to her.
Mina goes to meet the criminal of a car accident who confessed his sin eight years later.
Ready to leave her UK boarding school and enter the working world, a young Black woman faces pressure to change her name and natural hairstyle.
Out of the haunting shadows of the sexual underground in Medellin, sixteen-year-old Jhony is excited and hopeful for this upcoming date with the boy he loves.
During a night of drinking, M. arrives by chance in an apartment where an orgy takes place. Embarrassed, he locks himself in the bathroom where he will find a sleeping guy he knows pretty well.