More than the world

Bayaludaari is a 1976 Indian Kannada-language film directed and produced by the Dorai–Bhagavan duo. It is based on the novel of the same name by Bharathi Sutha. This was the first movie of the director duo without Dr. Rajkumar in the lead. The film starred Anant Nag, Kalpana, and K. S. Ashwath. It was a musical blockbuster with all the songs composed by Rajan–Nagendra considered evergreen hits. Bayalu Daari was the first commercial success for Anant Nag who had earlier done art films and established himself as a leading star in the Kannada cinema with a chocolate hero image. This film was one the last big hits of Kalpana. The helicopter scenes formed a major highlight of the movie.

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.

A group of Boston-bred gangsters set up shop in balmy Florida during the Prohibition era, facing off against the competition and the Ku Klux Klan.

A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.

Young-hee, an actress reeling in the aftermath of an affair with a married film director, escapes to Hamburg. But when she returns to Korea and meets with friends for drinks, startling confessions emerge.

A boy grows up not knowing his real identity. One day a mysterious lady, claiming to be his real mother, divulges the truth about his roots. He is caught between leaving his past and living his new life.

A top Marine sniper, Bob Lee Swagger, leaves the military after a mission goes horribly awry and disappears, living in seclusion. He is coaxed back into service after a high-profile government official convinces him to help thwart a plot to kill the President of the United States. Ultimately double-crossed and framed for the attempt, Swagger becomes the target of a nationwide manhunt. He goes on the run to track the real killer and find out who exactly set him up, and why, eventually seeking revenge against some of the most powerful and corrupt leaders in the free world.

A thirty-something southern woman searches for love, despite the burdens she carries with her.

America! Built on a better pill. Karly Hert has spent the last ten years selling drugs. Legally, that is. Karly is a pharmaceutical sales representative. She sells pills to doctors. She makes lots of money. She has a company car. She has a nice fat expense account. But there's a growing pit in Karly's stomach. Something isn't right behind the scenes at big pharma. Based on the director's decade working directly for the industry.

Three sisters - Georgia, Eve, and Maddy - do what they do best with life, love, and lunacy on the telephone lines that bind - when their curmudgeonly father, Lou, is admitted to a Los Angeles Hospital. After years of wild living, intermittent affection, and constant phoning, he is finally threatening to die.

After a singing performance at a wedding, Laura receives the offer to perform at a song contest.

Josie Geller, a baby-faced junior copywriter at the Chicago Sun-Times, must pose as a student at her former high school to research contemporary teenage culture. With the help of her brother, Rob, Josie infiltrates the inner circle of the most popular clique on campus. But she hits a major snag in her investigation -- not to mention her own failed love life -- when she falls for her dreamy English teacher, Sam Coulson.

Losing you until I lose myself, memories that were all left behind was the beauty of your eyes, me without you.

While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).

A struggling young writer finds his life and work dominated by his unfaithful wife and his radical feminist mother, whose best-selling manifesto turns her into a cultural icon.

Sean is taken to a motel and is given a prostitute for his 18th birthday by his father. He must sleep with her to "fix" his questionable homosexuality. "Pretty Boy" is a coming of age story of a young bullied teen, Sean, struggling with his sexuality and the hardships of high school. After his father finds some questionable magazines in his room, this devout Christian will go to any lengths to get his son to find the light and "perform" the way a man should. Sean is introduced to Katie, a prostitute that understands the stigmas of modern society and helps him see the true light that is within him.

Francesca, tormented by her past, breaks the silence to talk about surviving the horrors of the comfort stations of Imperial Japan.

film about the situation of that Girls who face evil eyes daily on way. “Not every battle is fought with weapons; some are fought with eyes… and silence.” This film is a raw, unflinching portrayal of the everyday battles women face in a society where their existence is constantly scanned, judged, and violated by predatory stares. From streets to buses, offices to parks — no place feels truly safe. It’s a story of unseen wounds, silent fears, and a world where public spaces still belong to the audacity of shameless eyes. But in the darkness of this cruelty… rise a few hands. Hands that shield, voices that speak, and gazes that stand as a wall of dignity. This isn’t just a film — it’s a voice for those countless unspoken stories buried in the hearts of women. A message that must be seen, heard, and felt.

A short film exploring two stories about love, loss and reunion set inside a café in Kolkata, India.

A black comedy about a man struggling to make a living by helping people kill themselves.