J'accuse

Richthofen goes off to war like thousands of other men. As fighter pilots, they become cult heroes for the soldiers on the battlefields. Marked by sportsmanlike conduct, technical exactitude and knightly propriety, they have their own code of honour. Before long he begins to understand that his hero status is deceptive. His love for Kate, a nurse, opens his eyes to the brutality of war.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

A gangster falls for a blind violinist, only for his mobster rivals to kidnap her.

A British army officer refuses to avenge the death of a general who was murdered years earlier. He is awarded three feathers by his officers. When his fiancée fails to defend his stance, he plucks a feather from her fan. He proves his courage by rescuing his comrades in dangerous and life-threatening situations. Later he returns each feather as proof of his redemption and courage.

Joint montage of the first three silent films about Švejk: Good Soldier Švejk (1926, director: Karel Lamač), Švejk on the Front (1926, director Karel Lamač) and Švejk in Russian Captivity (1926, director: Svatopluk Innemann, model Karel Vaněk). The lead role was played by Karel Noll, who was very popular at the time. The last silent sequel Švejk v civilu (1927) exists independently, but the copy of the film is badly damaged.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

A tale of the World War I love affair, begun in Italy, between American ambulance driver Lt. Frederic Henry and British nurse Catherine Barkley. Eventually separated by Frederic's transfer, tremendous challenges and difficult decisions face each as the war rages on.

Famous Russian screen actors play themselves in this drama about the lives of actors. Thirteen minutes of the film survive.

Unassuming catering salesmen Jim Ferguson falls through a time hole to 1917 where he saves the life of dashing Royal Flying Corps pilot James "Biggles" Bigglesworth after his photo recon mission is shot down. Before he can work out what has happened, Jim is zapped back to the 1980s......

A young woman consents to a bad marriage to an unscrupulous man in order to save her father from ruin. When her marriage is disrupted by a murder, three different people confess to it.

With Jean-Baptiste at the front, Louise takes care of Bébé with the help of Uncle Pierre. The letters she receives from Jean-Baptiste worry her, but Pierre distracts Bébé with a box of tin soldiers. That night, Bébé has a dream of his soldiers vanquishing the enemy, and the next morning, Jean-Baptiste surprises the family by returning home.

Dancer Lucille Le Jambon (whose real name is Lucy Higgins) loses her job when the morals committee of Sycamore, Kansas, headed by the self-righteous Deacon John Griswold, forces the Merry Models Burlesque show to close. Having grown fond of Sycamore, Lucy opens a combined ice cream parlor and dance hall, where she teaches the young people all the latest dances. ...

During the Easter Carnival, Dolores de Cordova flirts with Juan Estudillo, not knowing that he is a member of the family with whom her ancestors have long feuded. Dolores' cousin, Pedro Toral, jealous of her attentions to Juan, kills her brother that night and after leaving Juan's handkerchief by the body, makes Dolores swear to avenge the death with her own hands....

Lea Lyon, the daughter of a rabbi, lives happily with her father in their Gulicinu village, but there are rumblings of war. Soon, the village is overrun with the Imperial troops of the Russian Czar, with Constantine in Imperial command. He is attracted by the beauty of Lea and commands her to come to his quarters. She refuses and he is outraged. He orders the townspeople barred behind their doors and the village burned. Though she loves her honor above everything else, she can not bear to see the villagers suffer, and makes the lonely walk through the village to the Inn.

Lieutenant Lukáš was transferred to the marching battalion in České Budějovice together with Švejko. On the way, Švejk makes Lukáš uncomfortable with a bald superior, a passenger in civilian clothes, and then because of pulling the handbrake, he is removed from the train and brought to the station master. The fine for Švejk will be paid by one lucky man, for whom Švejk's stopping of the train catapulted his beloved woman directly into his arms. Švejk goes to Budějovice on foot. His journey is full of humorous incidents. After arriving at the barracks, the regiment with Švejk and Lukáš is soon sent to Hungary, where Lukáš has an adventure with Mrs. Kakonyová. Eventually, the unit including Švejk arrives all the way to the Russian front. (According to the period label.)

Directed by Svatopluk Innemann.

The first Finnish full-length feature film and the first film adaptation of Minna Canth’s play of the same name. Orphaned Sylvi is married to her older guardian Aksel Vahli, but is in love with her childhood friend Viktor Hoving. A difficult situation drives Sylv to desperate deeds. A approximately 27-minute version of the film’s surviving scenes, with the most explanatory text, has been reconstructed.

Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.

A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.