Faraar

A court-marshalled soldier with a traumatic past helps a young girl from 'lower' caste and an aspiring boxer work towards her dreams despite her hostile environment.

They are in love - have grown up together. Circumstances lead her to get married to a older man with a small child who does not accept her physically after having seen her face for the first time - he feels guilty that she has been cheated upon and her youth has been snatched away. One day she returns home to meet her childhood friend.

A gifted but insecure woman is in for a transformative experience when she enlists the help of an enigmatic con artist to recover her stolen car.

When her husband is framed and imprisoned for serial murders, a doting wife must perform a copycat murder, to prove her husband's innocence.

A young man from a remote village dreams of launching his own airline service. However, he must overcome several obstacles and challenges in order to be successful in his quest.

After the passing away of his son and Caucasian daughter-in-law, London-based widower Purshotam Agarwal brings up his granddaughter, Namrata, on his own. When she matures, he pressurizes her to get married to Tikamgarh-based Ranveer's son. She travels to India, and much to his chagrin refuses to get married to the boy of his choice, and instead brings back a wealthy male named Romi, who she claims is her fiancé. Little does Purshotam know that Romi is not who he claims to be, and that Namrata has no intention of marrying him either.

Events in India's history — from the Emergency and the famous Cricket World Cup win to the Punjab riots , unfold from the perspective of an innocent Sikh man Laal Singh Chaddha, a person with a low IQ but high optimism. Laal is able to achieve everything under the sun but his childhood love continues to elude him.

A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.

After leaving British Army Ramesh joins a tea plantation as a supervisor, where he is required to harass Indians. Gradually his heart changes and falls in love with local girl and revolts against his British employer.

Kanpur-based, pregnant Geeta Bhargav lives a wealthy lifestyle with her husband, Balwant, and three children: Shrikant, Arun and Usha. Her alcoholic and womanizing husband is arrested for killing a bodyguard of a Courtesan and is sentenced to 20 years in prison. She is then accused of luring men into her house and is asked to move on. Homeless, on the verge of starvation, she is unable to feed her family, and Usha passes away. She decides to become a widow, gets shelter, a job, and has Shrikant enrolled in a hostel. Then her luck changes when she is adopted by wealthy J.S. Archarya, and gives birth to Kirti. She explains her situation to Archarya, who wills her his entire estate and subsequently passes away.

Once partners-in-crime and wannabe prominent political figures, Shukla and Pandey turn foes when tragedy befalls. But, who is pitting them against one another, and why?

Modern day youngsters Aakash, Anisha, and Dev are caught in the traditional family values and while Aakash's family is forcing him to get married, he is trying his best to buy some time to marry his girlfriend Anisha. The free-spirited Anisha has her own pursuits and doesn't want to get married soon. Aakash uses the help of his best friend Dev who agrees to solve their problems.

A revenge drama, which revolves around two families based out of London. One family which plans an elaborate countryside wedding and the other is a violent criminal family of moneylenders. Amidst a week-long function, both these worlds collide. A past secret sparks an incident of violence - in turn changing all their lives drastically.

Three womanisers find a baby left at their doorstep. Chaos ensues as they try to contact their former girlfriends to determine who is the father amongst them.

It is a hair-raising journey into the world of two lovers as both their families are ripped apart for the sake of revenge and power, and an entertaining look at how they rise out of that pit of blood lust and despair, together.