Presented by UK journalist Jason Farrell (Sky News) Running With Bulls captures and explores the thrills, passion and controversy of the Pamplona Bull Run. The San Fermin Festival in Pamplona, Spain is a celebration of life, of shared history, of family and religion. It is a fiesta like nothing you'll ever experience anywhere else in the world and one reason for this is the famous spectacle of the bull run.
Baratometrajes 2.0 is a feature length documentary on low-budget films made in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like "El mundo es nuestro," "Mi Loco Erasmus" or "The Cosmonaut" are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.
This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA
In 1926 the remains of two ships built by the Emperor Caligula were found at the bottom of Lake Nemi, near Rome. Mussolini had the lake drained and established a museum as a celebration of the imperial origins of Fascism, but the museum and ships were destroyed by fleeing Nazis in 1944. The film commemorates these events. - MoMA
Crowds is a feature documentary that records popular events of Uruguay where thousands of people gather spontaneously, called by faith, passion, celebration and memory. What happens when we set aside our individuality to act collectively? This documentary observes the passions that draw thousands of people close in order to join in a choral character. It discovers the crowd while it transgresses and experiences catharsis, while it seeks miracles and hopes; in continuous movement it splits and rejoins... until they dissipate and individuals re-emerge in their own solitude.
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
Legendary rumba musician Alberto Zayas serves as a guide for this vibrant journey through Cuban musical history and culture. The short features interviews, footage of impromptu street performances, and studio recordings.
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.
Wir Weltmeister – ein Fußballmärchen
'Country: Portraits of an American Sound' is a documentary film that explores the history and culture of country music through the lens of photography, which has portrayed the ideals, lifestyle and personalities of country music artists for over 80 years. The film features imagery and commentary from Grand Ole Opry photographer Les Leverett, the late celebrity photographer Leigh Wiener, documentary photographer Henry Horenstein, iconic music photographers Henry Diltz and Raeanne Rubenstein, and contemporary photographers David McClister and Michael Wilson. Over a dozen country music artists also appear, including Rosanne Cash, Roy Clark, Merle Haggard, Lyle Lovett, Charley Pride, LeAnn Rimes, Kenny Rogers, Tanya Tucker, The Band Perry and Keith Urban. The film weaves iconic images, historical footage and over 25 country music hits into a dynamic look at this uniquely American sound.
The Atom Smashers chronicles the search for the Higgs boson: a yet-undiscovered subatomic particle that could explain how matter, and therefore life, can exist. To find this "god particle," top physicists at Fermilab use the Tevatron, a four-mile-long, forty-year-old particle accelerator buried beneath the Illinois prairie. However, a new, more powerful accelerator at Europe's CERN laboratory looms on the horizon... Part science, part international competition, and part human drama, The Atom Smashers watches its captivating characters in and out of the laboratory as they race along the intersections of politics, culture, and the possibility of the discovery of a lifetime.
One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.
A group of archaeologists from the University of the Republic enters, for the first time in Uruguayan history, into a barracks to dig for the remains of persons imprisoned-disappeared during the military dictatorship. Only one year earlier, not even the boldest observer would have dared predict such a possibility. After one hundred days of digging, the earth reveals its secret: the first remains appear. The documentary reconstructs the process that cuts the country’s history in two: before and after.
Angdu is no ordinary boy. Indeed, in a past life he was a venerated Buddhist master. His village already treats him like a saint as a result. The village doctor, who has taken the boy under his wing, prepares him to be able to pass on his wisdom. Alas, Tibet, Angdu’s former homeland and the centre of his faith, lies far away from his current home in the highlands of Northern India. On top of that, the conflict between China and Tibet makes the prospect of a trip there even more daunting. Undeterred by these harsh facts, the duo set off for their destination on foot, accompanied by questions of friendship and the nature of life. With its narrative approach steeped in a serene sense of concentration, this documentary film, composed over a period of eight years, stands as a fundamental experience in its own right.
Milošević’s regime has rigged the results of parliamentarian elections in autumn 1996. This was a cause for mass rallies in Belgrade and other cities in Serbia. The film documents the protests during the first four days of their protests, their political and criticising charge but also the carnival spirit. On the seventh day of the protests the film was edited and had a premiere screening in the Rex Cinema.
About those who created the habit of drinking mate, of the peasants who harvest the mate herbs, of the industry that produces it and of the sixty million people who consume it. It is a trip through history, the present and the future of mate in Brazil, Paraguay, Uruguay and Argentina; a view that sways from mate to the hands that put it into circulation; a crossing between the intangible-symbolic and the political-social. How does a centuries-old indigenous tradition survive in a modern and coca-cola dominated world?
Kwaï
Celebrating Maria Bethânia's 60-year career, showcasing her artistic intimacy and the union between poetry and music.
An exploration of Falmouth’s vibrant DIY music scene, capturing the community spirit, resilience, and creativity that keep grassroots music alive in a small university town far away from big cities.