Gavriel

The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.

Vasantha, a feminist, is promised her ancestral inheritance only if she gets married. In order to secure her riches so that she can help women in distress, she hatches a plan.

Based on true events, "Superman Doesn't Steal" is a coming of age story, set during the 1970's Atlanta child murders- as seen through the eyes of 9 year old Harriet and her brother, who are fascinated with superheroes. However, when they experience a troubling series of events- the impact on their family leaves emotional scars and causes them both to grow up fast as they redefine their definitions of heroes, villains and yes- even Superman.

In the 1950s, a poor Georgia cotton farmer and his sons search for the gold presumably buried on the farm by their grandfather but problems related to poverty, marital infidelity, unemployment and booze threaten to destroy their family.

A car magnate watches his personal and professional life hit the skids because of his business and romantic indiscretions.

Ramprasad's entire family gathers under one roof for 13 days after his death, to perform and observe the Hindu traditions and rituals called the tehrvi. During the course, the family’s dynamics, politics, and insecurities come out, and then they realise that the importance of people and things are only evident in retrospect.

When the movie opens, a woman is recalling the events that molded her perspective on the world. Years ago, her husband, a wealthy Western-educated landowner, challenged tradition by providing her with schooling, and inviting her out of the seclusion in which married women were kept, to the consternation of more conservative relatives. Meeting her husband's visiting friend from college, a leader of an economic rebellion against the British, she takes up his political cause, despite her husbands warnings. As the story progresses, the relationship between the woman and the visitor becomes more than platonic, and the political battles, pitting rich against poor and Hindu against Moslem, turn out not to be quite as simple as she had first thought.

Chintan Parikh, a 28-year-old middle-class man constantly surrounded by and troubled by the women in his life. On one fateful trip to Ambaji Temple he prays and asks for a power that could help him understand women and his wish is granted. Watch the drama unfold after he starts hearing voices.

Three siblings attempt to reconcile over their mother's suicide, torn between mourning and greed.

In a single afternoon a man comes to grips with the power of his past when his estranged family becomes tangled in its web. Shot in a continuous take.

Longing to experience more of life, twentysomething preacher's daughter Angie strikes out on her own for the very first time and joins a traveling gospel show.

Work life for Shunsuke Osaki has been success after success, but at some point his family began to slip by the wayside. As his elderly father begins to show signs of dementia, Shunsuke takes the family on a trip in a desperate attempt to pull them together before it is too late. Director Mitsutoshi Tanaka's adaptation of Masashi Sada's short story of the same name received the awards for Best Director, Best Actress and Best Music at the 1st Asia International Film Festival in Taipei.

Alles muss raus

Vasantha Lakshmi is a 1978 Indian Kannada-language film, directed by A. V. Seshagiri Rao and produced by K. Vittala Kumar, K. V. Honnappa and K. V. Gurunath. The film stars Srinath, Vishnuvardhan, Aarathi, and Manjula. The film has musical score by Vijaya Bhaskar. The movie is a remake of the 1974 Tamil movie Engamma Sapatham.

A moving and memorable family drama about a terminally ill writer who wants to be reconciled with his long-abandoned son.

Olavu Geluvu is a 1977 Indian Kannada-language film, directed by H. R. Bhargava and produced by S. A. Srinivas. The film stars Rajkumar, Lakshmi, Balakrishna and Sampath. The film has musical score by G. K. Venkatesh.

The movie is based on the play Saahukaara written by B. P. Dhuttharagi. The film was a musical blockbuster with all the tracks composed by G. K. Venkatesh considered evergreen hits. Rajkumar became popular as a playback singer with the track Yaare Koogadali from the film which became an instant hit among the audiences. He would then go on to sing regularly for his films. The film was remade in Telugu in 1975 as Thota Ramudu starring Chalam, in Tamil in 1975 as Pudhu Vellam starring Sivakumar and in Malayalam in 1976 as Themmadi Velappan starring Prem Nazir.

Madea's back - hallelujer! And she's not putting up with any nonsense as family drama erupts at her great-grandson's college graduation celebration.

Parimalam, a mischievous girl, falls in love with a widower who works as a teacher. She marries him by falsely accusing him of molesting her, but she has to take a drastic step to win his heart.

Kittu Puttu is a 1977 Indian Kannada-language comedy drama film directed by C. V. Rajendran and produced by Dwarakish. The film stars Vishnuvardhan, Dwarakish, Manjula, K. Vijaya and Vaishali Kasaravalli. The film was widely appreciated for its songs and story upon release. The songs tuned by Rajan–Nagendra were huge hits.