Histoire D'Ovidie

'Trailblazers in Habits' is an intimate portrait of a group of American Catholic nuns, the Maryknoll Sisters, who have accompanied the disenfranchised in their struggle for social justice. By turns tragic and joyous, yet always inspirational, this insightful documentary is a revealing portrait of these courageous women. A moving and absorbing chronicle that spans 100 years and several continents, the film celebrates the intelligence and tenacity; the love, compassion and generosity of these early feminists.

Singled [Out] tells the story of five educated women in four corners of the world: Jules in Melbourne, Manu in Barcelona, Shu and Yang in Shanghai, and Melek in Istambul -they all travel solo in a world where pairing up is the norm. Together with the voices of some well-known experts in the areas of sociology, law and demography, the film unveils modern love in the era of choice, and is a journey to the heart of being a single woman today.

Told by her daughter Wendy, MINK! chronicles the remarkable Patsy Takemoto Mink, a Japanese American from Hawai'i who became the first woman of color elected to the U.S. Congress, on her harrowing mission to co-author and defend Title IX, the law that transformed athletics for generations in America for girls and women.

This documentary interweaves celluloid and voice recordings by Maya Deren, and colleagues who knew her firsthand: Jean Rouch, Jonas Mekas, Alexander Hammid, Cecile Starr etc. Maya Deren (1917-1961) was an experimental filmmaker. In the 1940s and 1950s she made several influential avant-garde films, such as Meshes of the Afternoon (1943). Images from this and her other work are used in this documentary. You can also hear her voice, as well as accounts by contemporaries such as Jean Rouch and Jonas Mekas.

The Righteous Babes shows how the self-affirmative music of young women is renewing the 90's feminism. In the film, audience can experience feminism not in the library but in the rock concert hall. The film shows interviews and performances. In addition, controversial feminists along with American and British women journalists share their views on pop culture.

Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.

Compared to girls, research shows that boys in the United States are more likely to be diagnosed with a behaviour disorder, prescribed stimulant medications, fail out of school, binge drink, commit a violent crime, and/or take their own lives. The Mask You Live In asks: as a society, how are we failing our boys?

Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.

The story of the struggle for the women's vote is much more than just the account of the exploits of Emmeline Pankhurst or the tragic fate of Emily Davidson. Lucy Worsley puts herself at the heart of the drama, alongside a group of astonishing young working class suffragettes who decided to go against every rule and expectation that British Edwardian society (1901-1910) had about them…

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

All too often, every great female rock musician has to answer a predictable question - what is it like being a girl in a band? For many, the sight of a girl shredding a guitar or laying into the drums is still a bit of a novelty. As soon as women started forming their own bands they were given labels - the rock chick, the girl band or one half of the rock 'n' roll couple. Kate Mossman aims to look beyond the cliches of fallen angels, grunge babes and rock chicks as she gets the untold stories from rock's frontline to discover if it has always been different for the girl in a band.

In this video series an individual confronts fears and, through the process of confessing directly to the camera, transcends trauma. It is also about agin, longing, the delusions and misconceptions we are encumbered with as we mature towards self-awareness, and the masks we assume to deny or hide understanding. The tapes rupture, fracture, and use digital effects to mirror the psychological changes of the protagonist.

In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel: "Deep Throat," starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self-appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film's star.

A journey into French exploitation cinema from 70's and 80's with Brigitte Lahaie. This panel discussion held on June 23, 2016, includes trailers and film clips from Brigitte's many films.

A feminist activist organization determined to bring attention to superficiality and the rampant objectification of women in modern American society chooses the 1985 Miss California Beauty Pageant as the site for its disruptive guerrilla demonstration. The group meets in Santa Cruz, Calif., and orchestrates its own competition -- one that attracts media attention and shocks passersby with its thought-provoking and satirical alternate reading of the institution of the American beauty pageant.

L'Enfance du hard

Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.

Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.

Emma and Eddie live two lives: one on social media and one in real life. The webcam couple is out to save their marriage by starting their own adult web-studio in Eastern Europe.