Hannelore Kohl - Die erste Frau

DDR - die entsorgte Republik

Die Ära Merkel - Gesichter einer Kanzlerin

Stunden der Entscheidung: Angela Merkel und die Flüchtlinge

Im Land der Adler und der Kreuze

What do you experience as a candidate in a state election campaign? This is what the filmmaker wants to know and accompanies a candidate with the camera for a year. See what he experiences in this documentary.

The lower level of Lichtenberg Station in Belin in early October 1989: the beginning of the end for the GDR. In the snack bar, the staff are catering for travellers of every kind while in the background the authorities maintain a flow of triumphal statements, but those months between August and October come to feel like sitting out the death throes. Careful observation of people and their work as the current of history suddenly becomes perceptible.

Angela Merkel's decision in autumn 2015 to open the borders for refugees split the country - some praised the moral stance, others criticized the surrender of sovereignty. Yet what would appear to be well-planned activity is in reality a policy of muddling along, chance, trial and error. The Driven Ones is a chronicle of the refugee crisis which shows that the political actors are being driven along, crushed between self-imposed constraints and events that have spun out of control.

According to his friend Polo the “Ober-Swiss,” Max is a spineless character who lives strictly according to conventions and is never satisfied with himself or the world. In truth, Max is fictitious – born out of the fantasy of the filmmaker Clemens Klopfenstein, who created him as his alter ego. Max falls in love with the impassioned Christine, but she jilts him within a short time because of his reluctant disposition. He thus takes a decision: to call upon the “master” in the hopes that he can liberate him from the interminably same role. Based on works by Clemens Klopfenstein, the compilation film emerges as a new, self-contained story, while rendering palpable the very essence of the filmmaker.

Il Grande Gioco-Centanni di Scoutismo

The sculptor Sergio Camargo died 20 years ago. If the bones left in the grave are in fact his remains, would his sculptures be living remains? What's ephemeral and what's lasting? Is there a possible eternity? We see the movie through the eyes of the daughter confronting both the artist and the man.

Chernobyl Forever

The jet set life of artist Nikki S. Lee.

Le Zapping - 20 ans (1989 - 1993)

Poetic documentary about the polar expedition of S. A. Andrée which Troell had previously dramatized in "Ingenjör Andrées luftfärd" (1982).

Alerte dans nos assiettes

Moi, la finance et le développement durable

The island of Sumatra is famous for its tobacco, as all lovers of the weed know. Its preparation, its growth and the various stages through which the fragrant leaves must pass, before they are ready for the smoker, form the interesting theme of this beautiful colored picture. The first scene shows the young plants growing close together, and the transplanting as they increase in size. The soil is poor for anything but tobacco, and one wonders how a good crop may be obtained in such poor land. We are shown, successively, the natives picking the largest leaves the inspection of the picking, and the natives carrying bundles of green tobacco to the tallying room.

Hardy trawlermen brave bad weather and rough seas off the coast of north-west England to bring in the catch.

In this moving short film, pop superstar Kesha shares the vision behind her 2017 album, Rainbow. An intimate portrait of her songwriting process and personal struggles—depression, insomnia, and an eating disorder—the piece follows her journey from hospitals and rehab to a triumphant performance of “Praying” at the 2018 GRAMMY® awards. “It’s called Rainbow because after the storm, there’s a rainbow,” she says in the film. “I wrote it as a message to myself that I could make it through.” The film includes music video clips, live performances, and footage of the singer writing and recording with Ben Folds, the Dap-Kings, and Sandra Williams.

For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.