Kali Ghata

A Carefree and Confident Girl (Sanah Kapur) of her area who finds Love in Vikram(Randeep Rai).

This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.

Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

The film chronicles the ascent of Shivaji, the great Maratha warrior who fought for liberty from the erstwhile Muslim rulers in order to establish a secular Hindu kingdom.

A man decides to re-pay a good Samaritan but regrets doing so after he finds out that he is an assassin.

A mock trial during the rehearsal of a play quickly turns into a gripping drama about desire, gender issues, power and control, this is an adaptation of playwright Vijay Tendulkar's Shantata. Court Chalu Aahe (1963).

When most people think about Australia, they picture massive sandy beaches, singlet-clad locals drinking beer, and kangaroos bounding through the dusty red outback. Saris, musical numbers, and masala are the furthest from anyone's mind - unless of course, you're one of the millions of Bollywood fans from around the world.

Hasmukh Mehta loves power. He exercises power over his family and even those who work under him in his business empire. His son Ajit Mehta offers a weak foil to Hasmukh's assertive behavior. His wife Sonal is the butt of his jokes and an easy target for his blame games. Ajit's wife, Preeti copes with her father's insufferable behavior by simply giving in. All are waiting for the day the old man will die and leave his vast fortunes to them. He does die, but he does not leave his fortunes to them. Not only that he uses his money as a bait to make them act according to his will, literally ruling them from his grave through a convoluted will that has them doing exactly what he wants them to do. Through his will, he instructs his mistress Kiran Jhaveri to live with his family, using her as a proxy for him, while he enjoys his power even as a ghost! But even the most perfect of plans don't always go the way they are supposed to.

Chronicling the comedic escapades of Bombay-based alcoholic Murli Manohar as he uses a forged document to secure employment; falls in love with, Chandra Kripalani, the Manager's Secretary; then fools her into believing that he is an abstainer, and the real alcoholic is his elder brother.

A mysterious bomb blast in a business tycoon's factory prompts the state CM to hire an NIA officer. He meets an ex-army man seeking revenge for his dead daughter and a journalist demanding justice for her slain boyfriend. Nothing is what it seems. The film raises contemporary ecological issue with lot of thrill.

A wealthy man objects to his daughter's romance with a poor photographer.

Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.

Hailing from Aarah in Bihar, Anarkali is an item girl, famous for her vocals, suggestive dance moves and innuendo laden lyrics. She enjoys her stardom and revels in the lusty glances. The singer acknowledges that she is no saint and even makes peace with the hatred she evokes among civilised society but what she refuses to tolerate is being exploited in public by an influential politician.

Carefree young Nirahua escapes his village when his family fixes his wedding to an unknown girl. However, when he moves to the city, he falls in love with his employer's daughter.

A Bollywood adventure movie.

A Bollywood film.

Set in the Ottoman Empire, it deals with the Caesar's (Pande) army and its skirmishes with the local Muslim rulers. The Sultan's (Asooji) son Ziyad (Kumar) is arrested by the Roman army. The Roman princess Rahil falls in love with him. A Muslim maid Leela (Sitara Devi) and the princess help him escape. Long chase scenes and fights follow, which ultimately lead to success for Ziyad and his people.

Encouraged by his mother, Ram's early entry into petty thievery makes him a criminal as he grows older. While evading the law, he meets Sheila, a CBI officer's sister, and gets married to her.

Koyelaanchal (coal belt of India) brings to light the explosive story of the people who have kept our precious fuel station at ransom for centuries. Koyelaanchal unveils itself through Saryu Bhan Singh (Vinod Khanna),an ex-owner turned Mafioso of the region, who through his sheer brutality & blatant defiance of law of the land, forces the people & the authorities to acknowledge him as their 'maalik'. Any protest, any voice of dissent against him is dealt with spine chilling violence of epic proportions.