The Dead Die Once

A young man receiving medical treatment in the hospital reminisces about fishing in the small dory his grandfather owned.

Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.

Struggling with the move to Australia, a father concedes that he might not be the only one having a hard time with the transition.

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

The protagonists of this docudrama are old farmers who migrated to Banat after the First World War, in 1922. The film is focused on a couple of important events in their impressive lives, which are woven into lively scenes and stories full of wise instances. Their statements become spontaneous recounts of the lives of people in this region.

After the world premiere in Luxembourg, the first film by the Portuguese descendant Philippe Machado arrives in his native country through Filmin. A moving drama about the immigrant community - the sweetness and bitterness of the last day of holidays in Portugal before returning to France.

Nineteen year old Imri, a handsome ex-soldier, suffers from “Yellow Fever”. He was born in Israel but yearns to live in Japan.

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

Stephen Tan, the youngest and the only photographer in his family, is tasked with creating his grandmother's funeral portrait. Never having taken his grandmother's photograph, he searches for old photographs in his family's ancestral home. There, he finds his Aunt Ellen who is hastily preparing for the wake later the same day. As the clock ticks closer to the funeral, a mishap in the house catches them off guard, opening up sentiments long left in the past.

La línea

Ramin flees from persecution in Iran and ends up living in the limbo of exile, far from everything he knows, in the tropical port town of Veracruz, Mexico. There his nostalgia and melancholy are confronted with new friendships, while he starts to rediscover his own desires.

During a random check, the commander of the Czech Customs Unit notices that there are immigrants in the back of a van. In the turmoil that followed, a minor is injured while trying to escape into the forest. The officers scatter the woods to look for the boy who managed to escape. Their aim is to find him and cover up the event. When the child's father refuses to cooperate, the incident becomes insurmountable and the officers start to mistreat the refugees. It is a fairly harsh short film about human emotions and views against immigrants.

People who have to leave where they live, let their photo taken for the last time in front of a backdrop. The photographer gives the photographs to everyone and they move away from the backdrop. "The Photograp"h takes a glimpse into the lives of all refugees who are forced to leave their country, from the point of view of the last moment they were together and happy. In doing so, the director who does not use any dialogues and thus does not offer any description, reveals his discourse on a global basis.

Afghani refugee Ali and his brother have just arrived in Turkey where, surrounded by many other refugees, his family tries to build a new life. The boys earn their living shining shoes. When one day their spot has been taken, their fragile existence and dreams of a better future hang by a thread.

The story of Masoud, who is trying to emigrate to Europe to make a better life for himself, his mother and his fiancé. After embarking on a difficult and dangerous immigration journey with his best friend, Masoud meets a pregnant doctor and an old man on the way and they band together. Having to flee because of war and terror, Masoud tries to reach his goal with a hopeful but painful journey.

Just married Hong Kong couple Chen & Lily emigrate to England, soon to become parents to a little baby boy and generally struggle through life. Chen works long days in a restaurant, while Lily does the housekeeping, daydreaming of setting up their own business, much to Chen's chagrin. When Chen lets his colleague Fok seduce him down a path of mounting gambling debts, he is recruited as a drug courier for a shadowy Chinese triad. Suddenly he realizes that getting their own enterprise could be their only means of escape.

Qazi is the story of a young Pakistani refugee who is forced by economic and family circumstances to seek his fortune in Europe.

Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.