Summertime

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

When his mother eloped with an Italian opera singer, Louis Mazzini was cut off from her aristocratic family. After the family refuses to let her be buried in the family mausoleum, Louis avenges his mother's death by attempting to murder every family member who stands between himself and the family fortune. But when he finds himself torn between his longtime love and the widow of one of his victims, his plans go awry.

Are all relationships based on lies? Jake Bianski runs a fish market in north Boston, surrounded by Italians. For years, he's carried a torch for Isabella, an ex-girlfriend now married with three children and no interest in Jake. Yet, he tells everyone she's his girlfriend, including Marisa, a veterinarian his employees set him up with at the Italian singles club. She's interested in him until he tells her about his girlfriend, then he's persistent in asking her to be his friend. As the friendship bumps along, Jake realizes that reality may be better than fantasy, but what if Isabella changes her mind about Jake, and what if it comes out that Marisa, like Jake, isn't Italian?

Roberto, a shy law student in Rome, meets Bruno, a forty-year-old exuberant, capricious man, who takes him for a drive through the Roman and Tuscany countries in the summer. When their journey starts to blend into their daily lives though, the pair’s newfound friendship is tested.

In 1987, Ricardo is seventeen years old. This summer, Ricardo has a busy schedule: lose his virginity, find a way to get into bars, get a car and spend time with his friends. In order to make fast money, Ricardo decides to use his Italian connections to take a shortcut via the world of crime. But things don't go so smoothly.

Josie Alibrandi is 17 and doesn't know where she belongs. This year, however, everything is going to change. Josie will face her fears, uncover secrets, and even discover the true identity of her father.

Through dramatic reconstruction and documentary asides, the spirit of Italian poet, playwright, journalist, aristocrat and army officer Gabriele D’Annunzio is captured, presenting the nascent fascism in his attempts to forge a new state in the aftermath of the First World War.

When an Italian man comes out of the closet, it affects both his life and his crazy family.

Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. Undeterred by warnings that this has already been done by an American named 'Prisney,' he rallies an orchestra of geriatric women, a bullish conductor, and an animator that he keeps locked in the dungeon. What could go wrong?

The perfect movie DOES exist! Doug and Carol travel to the port city of Milan, where they have to solve a series of murders committed by a masked slasher at an Italian Fertility Festival. And Soviet Spies. INTERPOL’s there, too.

A former priest has become bored to the point of impotence by the easy availability of beautiful women. He misses the shame of the priesthood which made sex more enjoyable, and this leads to his strange fascination with photographing asses. He gets involved with a sexy married woman, but he is more interested in her virginal maid.

A rich older man dies during a massage (you see, uh--never mind). His young widow (Lucrezia Love) decides she needs some male help in managing her deceased husband's estate (for some reason she doesn't ask the family lawyer who she spends all her time rolling around in the hay with), so she summons her younger step-brother to come stay with her and her "little stepdaughter" (Gloria Guida). Of course, Guida's character ends up being attracted to her new "uncle" and plots to get "his bird in her bush" by, among other things, arranging for him to witness a steamy lesbian encounter between her and a friend in a, uh, steam room. To resist this temptation, the "uncle" marries Guida off to another guy while he in turn marries her friend, but they still can't resist each other.

A film in 5 segments. The first is about a trafficker who takes a German tourist to an illegal sex market in a working-class neighborhood. The second involves an elderly man courting a young adult film star. The third, a thief seduces a man's wife. The fourth involves an Italian immigrant in Germany who is fired and subsequently offered work as a porn actor. Finally the last segment involves a baron who convinces his wife into a swinging.

A 1957 period piece about an extended Italian immigrant family living in Toronto told through they eyes of a young boy. Also known as Goodnight, Michelangelo.

A man dedicated to religion and very faithful husband suddenly finds himself single. The new shop assistant in his shop will overwhelm his life.

A montley group of free-lance photographers are desperate to grab a good shot of a celebrity.

Released in 1967, the famous black-and-white film adaptation of Donizetti's opera, starring tenor Carlo Bergonzi and soprano Renata Scotto, alongside Giuseppe Taddei, is known for its charming performances and popular recordings. The film and associated recordings captured leading Italian singers in their prime, showcasing Donizetti's beloved work, famous for the tenor aria "Una furtiva lagrima". L'Elisir d'amore saw various productions and releases in 1967, including a RAI TV film in Italy, performances at Glyndebourne starting June 17, San Francisco Opera in October, and a World Record Club vinyl release in the UK, indicating it was a popular year for Donizetti's opera across different media

Intransigent magistrate Viola Orlando is targeted by her rivals who set her twin sister Rosa — a high-class prostitute and pornographic photo-novel star — up to impersonate Viola and demolish her reputation. To complicate things even further, Viola is torn between enforcing the law or giving up her seat on the bench to marry her childhood friend.