MUSE: Live At Reeperbahn Festival 2018

A compilation of the series of animated short films released by rock band Queens of the Stone Age to promote their 2013 album.

A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the "Exile" album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It's music from start to finish: hard rock ("All Down the Line"), the blues ("Love in Vain" and "Midnight Rambler"), a tribute to Chuck Berry ("Bye Bye Johnny"), and no "Satisfaction."

Caricature versions of George W. Bush and Colin Powell, each resembling nothing so much as a bobble head doll on a mission, rock out in a very funny send-up that manages to poke fun at the political powers that be, rock musicians of a certain ilk, and the music video genre itself.

Berlin, summer 1988: While Michael Jackson and Pink Floyd perform in the West, East Berliners can look forward to Bruce Springsteen, Depeche Mode and James Brown. The documentary reveals how the organizers enforced the concerts with the state authorities. On the anniversary of the fall of the Wall.

Fanstory

A silent film was created from a scenario inspired by a single poem, and a studio album later emerged from the imagery of the film. The groundbreaking production traces the world of three characters—White Kiha, Black Kiha, and Pillow Monster while delivering a story of loss, transformation, and the circle of life.

Illya Kuryaki & The Valderramas - Aplaudan en la Luna

Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”

'From The Vault' is a series of live concerts from The Rolling Stones archive which are getting their first official release. 'The Marquee Live In 1971' is the latest addition to the series. The show was filmed at London's legendary Marquee club on March 26th 1971, shortly after the finish of the band's 1971 UK tour and about a month before the release of the 'Sticky Fingers' album in late April. Mick Taylor was now fully integrated into the group and the band had used the tour to showcase some of the tracks from the forthcoming album. The show at the Marquee was filmed for American television and four songs from the 'Sticky Fingers' album were featured, including the rarely performed 'I Got The Blues'. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.

After fifteen years of unconventionally kinetic stage antics (sometimes involving fire breathing, on-stage raffles, and a guy named "Dirty" who was essentially the band's resident cheerleader), the band gave their bittersweet farewell performance for an army of costume-clad fans - some of which even flew in from other countries - on their favorite day of the year to perform, Halloween. And here you have it, the band's final live performance from San Diego's Westin Hotel Ballroom, marking the end of an era and the affirmation of their cemented presence in the slightly emptier world of rock n' roll. Filmed Oct. 31st 2005 in San Diego, CA.

Kansas 35th year anniversary concert recorded live in Washburn University, Topeka on Feburary 7, 2009, featuring the Washburn University Symphony Orchestra.

Short film featuring the extended version of the song “All Too Well” by Taylor Swift. A troubled couple's romance blossoms before it eventually falls apart.

Real Life, Music, Television is a trilogy of music videos which examine the hyper-self-consciousness of adolescents. The images from "Performance" are derived from found footage of an 8th grade talent show and are combined with a list of gender-specific transformative sexual memories from the age of 4-18. "Ladies, There's a Space You Can't Go" is a deconstruction and a distortion of an episode of Sally Jesse Raphael titled "My Daughter Dresses Like A Hooker." "Talent Show" is derived from the same found footage as "Performance." The young boys lip-synch to a bubble gum rock song as they attempt to publicly assert their new-found sexual power.

The protagonist is relentlessly hunted by a squad of black-suited mercenaries across buildings, rooftops, snowy mountains, and a decommissioned airplane, all while trying to recover a strange device. The short film went viral, racking up over 150 million views online, and inspired the 2015 full-length first-person action feature film, Hardcore Henry.

The story begins in a bleak, post-apocalyptic setting with Ji-hye and Tae-jun, who are injured and on the run. They encounter a seemingly abandoned building filled with discarded clothing and, in the process, find a camcorder. By peeking into the camcorder, they enter a world of happy memories and a life where they are not burdened by their disabilities.

Un Apprentissage Parfait

Taped for a two-part PBS Soundstage, Petty employs the Chicago locale as an entry into the blues and R&B that are at the foundation of rock & roll, and to a lesser extent, his music. This results in a fascinating and exciting show, where the extensive covers are just as interesting as -- and arguably more interesting than -- the few hits he gets around to playing.

The second of five farewell concerts by the 4 remaining members of the Grateful Dead performed on June 28, 2015 in Santa Clara, CA. SET 1: Tuning, Feel Like A Stranger, Inglewood Blues, Brown-Eyed Women, Loose Lucy, Loser, Row Jimmy, Alabama Getaway, Black Peter, and Hell In A Bucket. SET 2: Tuning, Mississippi Half-Step Uptown Tdodeloo, Wharf Rat, Eyes Of The World, He's Gone, Drums-Space, I Need A Miracle, Death Don't Have No Mercy, Sugar Magnolia, and Brokedown Palace.

A short film that brings together four music videos created between Japan and Europe in 2019.

Music Video for DOAH NEITCH's EARTHECCO