Soukoon

B for Boy is a contemporary drama set in Nigeria, about one woman's desperate need for a male child, which reveals the discrimination of women in the names of culture and religion.

Mirjana is returning to Croatia from Germany where she spent some time as a refugee. She is pregnant. Now, when the war in Croatia is over and her visa expired, Mirjana is coming back to her family in a remote and devastated village. Her family is trying to move on with their lives after the war. They rebuild their house and they are trying to find a new husband for their pregnant daughter. Being patriarchal and devoted to their tradition they believe a woman needs to have a husband and a child has to have a father. Of course, the child and the father have to be of the same nationality. Problems start when Mirjana gives a birth to a boy with Asian features. The family and the neighbors are shocked. Mirjana¡¦s rigid father refuses to accept a grandchild of a different nationality, not to mention the one of a different race! Mirjana and her son are forced to leave. She returns only when her father falls seriously ill and requests to see his grandson before he dies.

A gynecologist attempts to rid the world of sexual problems by separating sex on the one hand and reproduction, which he feels should be left to artificial wombs.

Leba is a music instructor who lives in a small Lebanese town. Social pressure leads him to get married and have children. Lara, his beloved wife, births a girl, later other one and finally Ghadi, a boy with special needs related with Down Syndrome. Ghadi could have been a burden, but he is a cause of pride and joy for all of them —but a test too that proves the intolerance of other people.

The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

After 18 years of marriage, a middle-aged couple has to face the prospect of having their first child.

Imprisoned by an illness, a young country girl decides to leave for Quebec City in order to study piano and discover an animated and enthralling lifestyle.

Barcelona police is following the actions of a pimp. A web of forced illegal abortions on prostitutes is discovered.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

A woman fell in love with a Japanese soldier, during the Japanese Occupation in the Philippines. The whole town turned against her.

Foon escapes an arranged marriage by walking the road of a Ji Sor. After an affair with Shing, she becomes pregnant. An attempted abortion nearly costs Foon her life. Wan, the young owner of a silk factory, rescues her. Wan and Foon share their romances, reflecting the experience of women during the 40's.

Each morning Beirut awakens to a new murder seemingly committed by a serial killer, with victims found emptied of their blood. At the same time a doctor, Khalil, begins to experience strange symptoms that destabilise him and transform his life. A connection slowly emerges that seems to link Khalil to these victims. Salhab’s body of films have come to narrate the state of Lebanon – and Beirut in particular – during and after the civil war, and this film is no exception.

Three teenagers with troubled families are unable to adjust at home and in high-school. Tempted with an easy, carefree life they soon pass from misdemeanors into serious crime - and will suffer for it. Sometimes, repentance comes too late.

The story of Paramathma focus on the philosophy that those who are very close to heart leave us quickly. A section of the society believes this and longevity is cut short by destiny as villain.

A prisoner set on serving his time gets recruited to save a pregnant woman trapped in a tree during the Great Flood of 1927. A massive storm drives them farther from their destination and they soon must decide to go off on their own or find their way home.

The film tells the story of Matt, a male hockey player who dies in a game and comes back to life as Sara Bryan, a female figure skater due to an accident made by an angel that caused the hockey player to die. Both share the dream of competing in the Winter Olympics. The male hockey player specified that if he returned to earth, he wanted to have a chance to win an Olympic Gold medal on ice leaving the detail that he wanted to be on the hockey team implied. With time running short Matt has to get skating lessons from Sara's one-time rival if he wishes to earn gold.

Inspired by the Puranic story of Abhimanyu and his mother Subhadra, the film portrays the relationship of the protagonist with her baby, before and after it is born.

Micheline, who is pregnant, lives in a home for women from which she tries to observe the world with calm and serenity. Among other women of the home who are also pregnant the frequently asked question is whether they will keep their baby or not.

Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”

Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.