Enemies

In 1930s Sweden the residents of a small town are upset with the morals of modern times and travel to Copenhagen to see for themselves what is going on with this new jazz music.

One-man stage performance by English stage and screen actor Sir Ian McKellen. McKellen reprises roles over his career in the theatre (such as the works of William Shakespeare) and on film (such as Gandalf in J. R. R. Tolkien's The Lord of the Rings film series), while discussing anecdotes throughout his life and career.

Now hiring: top girls wanted for prestige positions. Must be self-motivated go-getters with an appetite for success. No timewasters. Marlene is the first woman to head the Top Girls employment agency. But she has no plans to stop there. With Maggie in at Number 10 and a spirit of optimism consuming the country, Marlene knows that the future belongs to women like her.

Amalia and Georg work together at a modest Hungarian perfumerie, and have disliked each other from the very beginning. He thinks she's stuck up, and she thinks he's arrogant and mean. But each rapturously writes to a lonely hearts pen pal when the workday is done, and it doesn't take long for the audience to see that they're in love without realizing it. Originally live-streamed by BroadwayHD, then broadcast as an episode of the PBS series "Great Performances" (season 45, episode 3).

Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

When the S.S. American heads out to sea, etiquette and convention head out the portholes as two unlikely pairs set off on the course to true love... proving that sometimes destiny needs a little help from a crew of singing sailors, a comical disguise and some good old-fashioned blackmail. This hilarious musical romp across the Atlantic, directed by the multi-award-winning Broadway director and choreographer Kathleen Marshall, features Cole Porter’s joyful score, including "I Get A Kick Out of You," "You’re the Top" and the show-stopping "Anything Goes."

Recorded at London's Royal Court Theatre before an audience of faithful fans, various cast members from different productions of The Rocky Horror Show come together in a one-off concert extravaganza paying tribute to the phenomenon.

The story of an economically depressed town whose corrupt mayor decides to create a fake miracle in order to attract tourists. The phony miracle draws the attention of an emotionally inhibited nurse, a crowd of inmates from a local asylum, and a doctor with secrets of his own.

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

A new musical chronicling the life of America's great literary icon, Edgar Allan Poe, as he rises from the grave to reconcile his life and fix his tarnished legacy.

A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.

7,000 passengers are stranded in the small town of Gander, Newfoundland after all flights into the US are grounded on September 11, 2001. Filmed live on stage at the Gerald Schoenfeld Theater in New York City.

A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.

As London's East End scrubs up for the coronation, Mr and Mrs Peachum gear up for a bumper day in the beggary business. Keeping tight control of the city's underground – and their daughter’s whereabouts.

Confronted with death, National Health Service founder Aneurin ‘Nye’ Bevan’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Winston Churchill.

Three lonely people meet by chance in the waiting room of a train station.

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

In 1968 America, as two men fight to become the next president, all eyes are on the battle between two others: the cunningly conservative William F. Buckley Jr., and the unruly liberal Gore Vidal. During a new nightly television format, they debate the moral landscape of a shattered nation.

Alan Ayckbourn's riotous exposure of entrepreneurial greed returns to the National Theatre, where it premiered in 1987, winning the Evening Standard Theatre Award for Best Play.