In the affluent, gated community of Camelot Gardens, bored wives indiscriminately sleep around while their unwitting husbands try desperately to climb the social ladder. Trent, a 21-year-old outsider who mows the neighborhood lawns, quietly observes the infidelities and hypocrisies of this overly privileged society. When Devon, a 10-year-old daughter from one family, forges a friendship with Trent, things suddenly get very complicated.
A poor taxi driver offered a chance for a better financial future must weigh up the cost of walking away from what he most values. // In a world first omnibus collaboration between emerging Asian movie powerhouses, China, Korea and Australia, comes the classic adaptation of Loa She’s The Rickshaw Boy. Set in three locations, across three countries each thirty minute chapter tells the story of one man’s struggle for survival amidst the age of disruptive technology and explores the intimate relationship that has come to exist between man and machine and the evolution of that relationship.
Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.
At the strong insistence of his father, Ushimatsu Segawa conceals his origins from a “buraku” area of low-class “untouchables,” leaving his hometown to serve as an elementary school teacher where he excels and is loved by his students. But he constantly struggles with the secret of his low-birth status and is disturbed by all of the discrimination levelled upon his class. It prevents him from pursuing a romance with Shiho, whom he meets at the temple where he resides, but who descends from a samurai family.
Adapted from the short story by Franz Kafka, The Judgment is a psychological drama exploring themes of alienation, memory, and the lines between fantasy and reality. The film follows Georg Bendemann, a young merchant living 1900s Prague, who is struggling to maintain balance in an ever changing world. As his situation deteriorates due to complicated familial relationships, we are compelled to question the very nature of what we are seeing.
Two competing lawyers join forces to sue a prestigious law firm for AIDS discrimination. As their unlikely friendship develops their courage overcomes the prejudice and corruption of their powerful adversaries.
Fouad, a 15-year-old Moroccan immigrant, and Max, a 27-year-old "old stock" Quebecer, both live frustrating lives. Their respective destinies lead them face to face, in a situation from which neither will emerge unscathed.
The accidental breakdown of an irrigation valve launches a hot confrontation between the mainly Latino farmers in a tiny New Mexico town and the real estate developers and politicians determined to acquire their land for a golf resort.
An actress, three months post-partum, reads through fragments of the archive of Suzanne Césaire as she prepares to perform excerpts of the writer's work.
Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.
Oshidori kenkagasa
Adapted from the series aired in 2001. Looking for inspiration during the holidays, Nando sees Anita as the ideal character for his novel. She lives in a townhouse where a passionate crime happened in the past. Intense, Anita seduces Nando and awakens to
Songstress Mui Yee-wah falls head over heels for painter Wai Tik-fung despite their age difference. Because Wai is a married man, Mui's mother is against the match. Mui falls ill from grief. Rich heir Siu Kar-wai seizes the chance to successfully propose to Mui. However, Siu is unable to let go of Mui's past. In a fit of anger, he fires a deadly shot at Wai.
Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.
Framed for murder and left for dead, a local legend comes back to make the guilty pay as he seeks revenge on those who killed his family, in this traditional Western about one man who stood against injustice.
Mistreated foundling Heathcliff and his stepsister Catherine fall in love, but when she marries a wealthy man, he becomes obsessed with getting revenge, even well into the next generation. [Originally aired on CBS's DuPont Show of the Month.]
The surreal tale of an unassuming man who is accused of a never-specified crime and shambles through bizarre encounters to escape this nightmare.
A young victimized boy decides to confront his inner demons by drowning himself, and during the process finds purpose and meaning in his life.
Five Sydney-based youngsters navigate life, experience friendship, seek love, delve into their sexuality, and face the challenges of being a part of the LGBTQ+ community.
"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.