Canada Vignettes: Inuit Pipe

Combining figurative abstraction with magic realism, this animated short depicts a world in which whales fall out of the sky and fish turn into balloons. It is a black and white evocation of the real world, transformed by the director's special sense of whimsy. With bold lines reminiscent of the stark simplicity of Inuit art, this cautionary tale is a reminder of the interconnectedness of all things. We are all affected by the fate of the Arctic, which each year is disappearing a little farther into the ocean.

The documentary proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.

Nalujuk Night is an up close look at an exhilarating, and sometimes terrifying, Labrador Inuit tradition. Every January 6th from the dark of the Nunatsiavut night, the Nalujuit appear on the sea ice. They walk on two legs, yet their faces are animalistic, skeletal, and otherworldly. Snow crunches underfoot as they approach their destination: the Inuit community of Nain. Despite the frights, Nalujuk Night is a beloved annual event, showing that sometimes it can be fun to be scared. Rarely witnessed outside of Nunatsiavut, this annual event is an exciting chance for Inuit, young and old, to prove their courage and come together as a community to celebrate culture and tradition. Inuk filmmaker Jennie Williams brings audiences directly into the action in this bone-chilling black and white short documentary about a winter night like no other.

A portrait of Ulayok Kaviok, one of the last of a generation of Inuit, born and bred on the land. Ulayok and her family, like many Inuit today, strive to balance 2 very different worlds. Her skills in making the sealskin boots called kamik may soon be lost in the cultural transformation overtaking her community. Kamik offers a glimpse of those universes and the thread one woman weaves between them.

Inuit artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light. Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.

James Simonee, an Inuit hunter from Pond Inlet, Nunavut, investigates the impacts of one of Nunavut’s largest mines on traditional lands near his community.

Made in collaboration with the Inuit Tungavingat Nunamini, this film focuses on those dissident members of the Inuit community who rejected the agreement signed on November 11, 1975, between the Northern Quebec Inuit Association, the Québec and federal governments, the James Bay Energy Corporation, the James Bay Development Corporation, Hydro-Québec and the Grand Council of the Crees, which took away Native rights to a territory of almost one million square kilometres. By their words and actions, the dissident Inuit of Povungnituk, Ivujivik and Sugluk express their strong desire to retain their land and their traditions. The filmmakers go into their homes, on the ice and the sea to record first-hand the lives of these northern people.

It is taking decades for Canada to come to terms with its history in the Arctic, and with its relationship to all its indigenous people. “Kikkik” is the story of government mistakes and neglect, of starvation, murder, freezing death, but, in the end, a kind of justice that helps restore our faith in human decency. In 1958, the Inuit woman Kikkik was charged with murder and criminal negligence leading to the death of her child. Her trial and our visit back to the place and to Kikkik’s children confront us with a legacy that’s still a challenge for Canada.

Qallunaat! Why White People Are Funny is an irreverent look at Western Civilization through Inuit eyes. Inspired by the satirical essays of Zebedee Nungak, the film turns the tables on generations of anthropologists, teachers, adventurers and administrators who went North to pursue their Arctic Dreams. Now it’s their turn to be poked, prodded, examined and explained. A new generation of Inuit is ready to take on the Qallunaat at their own game. Grounded in their own traditions but educated in the South, they have a unique perspective on the culture that has come to dominate the planet. And they are not afraid to speak their minds.

If you want to find world-class artisans, the small northern Labrador community of Hopedale offers you some of the best. Created through the St. John's International Women's Film Festival's FRAMED film education series, in partnership with the Nunatsiavut government, this film focuses on three prominent local craftspeople- two carvers and one traditional sewist.

The Sun and the Moon are born, as a woman searches to reveal the identity of her mystery lover in this strikingly animated Inuit creation tale.

The film explores the way traditional hunting in Nunavut has evolved so that it can continue to play a vital role in contemporary Inuit culture.

Taqralik Partridge asks what if every language that had been lost to English — every word, every syllable — grew up out of the ground in flowers? Taqralik’s grandmother’s Scottish Gaelic and her father’s Inuktitut unfold in memories of her family, of pain, and of love.

This collection assembles the first animated films to be made by Inuit artists at the NFB. Featured is work by Solomonie Pootoogook, Timmun Alariaq, Mathew Joanasie, and Itee Pootoogook Pilaloosie—all participants in the Cape Dorset (Baffin Island) Film Animation Workshop, established to teach animation skills to local artists. The soundtrack features performances by Aggeok and Peter Pitseolok. Commentary is provided in a blend of Inuktitut and English.

Centered on a confrontation between the last monster bear and an Inuit hunter, Giant Bear is a chilling short that brings an ancient story out of the North.

According to Inuit oral history, long ago animals had the power of speech, could shift their appearances, and could even assume human form. In The Orphan and the Polar Bear, a neglected orphan is adopted by a polar bear elder. Under the bear’s guidance, the little orphan learns the skills he will need to survive and provide for himself.

In the folklore of most cultures around the world there are stories of magical little folk. And the Arctic is no exception. Inuit traditional knowledge is filled with references to many different races and tribes of little folk. These beings always try to avoid human encounters, but over the years Inuit hunters and shaman have gathered stories and experiences to help us understand these small inhabitants. This short introduces viewers to the little folk of the Arctic.

Inuit oral history is filled with strange beings and supernatural creatures. One of these feared land spirits is the Ogress of the Gravelbank. This cruel being was known to lure children into her lair and trap them there. All that perish in that cave remain there as spirits and animated corpses. This short vignette introduces viewers to this malevolent spirit who is unknown to all but the people of the far north.

Two young friends are spending a day away from their camp. Unfortunately for them, an ancient land spirit -- an amautalik -- is also in the area. Luckily for them both, one of the children's difficult life has taught him to think quickly.

It begins as an average hunting trip for two young men, but when they find themselves lost, the only safe haven to be found for miles—a mysterious village filled with the sounds of drum dancing and revelry—turns out to be even more dangerous than the frigid ocean.