Don't Say Sorry

Matryoshka Doll

Fausto is a trap singer on the rise on the Barcelona music scene. As a tragic life event hits him hard, Fausto questions his sanity while spiraling down into a hallucinatory self-destructive depression.

Three sisters living together are tied to the memory of their father. They welcome their suitors into their home and then repeat a ritual that seems to come from times past.

A Chinese Canadian son sets out to make a film on his mother, who was once known as the first ever Chinese Opera Singer to have performed Pingju Opera in English in late 1980's China.

A boy who finished school and spends time at home, between routine and sleep, during the COVID-19 pandemic.

Romy and her grandmother live in a small apartment like two friends. One works in a snack and the other runs an improvised beauty salon in the living room. The day her grandmother has a stroke, Romy has to take over the beauty salon.

At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.

After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.

When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.

The streets of the Bronx are owned by '60s youth gangs where the joy and pain of adolescence is lived. Philip Kaufman tells his take on the novel by Richard Price about the history of the Italian-American gang ‘The Wanderers.’

After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A Twilight Zone-inspired cautionary tale about a young mother forced to come face-to-face with her deepest desire.

In the vicious slums of Colombia, where prosperity is dictated by brutality, a conflicted kid seeks membership in a brutal gang, with the hope of one day having the power to determine his own destiny.

A tale about isolation and lack of communication, the gap between the reality a teenage boy lives, and how he would like it be. He has a secret that he would like to tell his family, something that he has come to terms with and is about to affect the rest of his life. But how will they react?

Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.

Sur

Impronta is a service that allows the user to revisit three minutes of their past for a maximum of three times. Alicia uses it to relive the last phone call she had with her daughter, before she completely disappeared, in order to try to understand what happened.

Three friends wake up from the best night of their lives, only to find that their friend is dead.

When a woman is given the worst news of her life, she is faced with a decision: tell her family, or spare them and carry the burden herself.