Khartoum 1960

While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.

The true life story and adventures of László Almásy, the 'English patient', who crossed Africa in 1929 with the father of filmmaker Kurt Mayer: These events provide the motivation and outline for a critical journey through 'men's domains' in Cairo, London and Vienna. Navigation in the expanses of the memory - the dream of flying, documents from the war and of an unrequited love...

"The reason why they kill people is because they do not have any education," a Sudanese boy says about the bloody conflict in his fatherland. Shortly before, we see images of a bombed school. In this film, the youngest and most innocent generation of Sudanese explains how it deals with the war that is tearing the country apart. Will the orphaned children avenge their murdered parents, or will they forgive the killers and start working on a new life? At any rate, these children's dreams for the future are anything but violent. One of them wants to learn English to be able to liberate his country, another wants to study to "be something," a third wants to become president to bring total peace, and yet another simply wants to be like her grandmother. Despite all the atrocities they have witnessed, the children mainly want to rebuild things, to put an end to the destruction.

Award winning short documentary by Ibrahim Snoopy, tracks the journey of the MTC martial arts team, which decides after a civil revolution that occurred in Sudan (2018-2019). Facing of lack of the state support and weak financial means, ambitious athletes found themselves forced to travel by land from Sudan to Kenya through Ethiopia to participate in an international championship "LionHeart 2019 Nairobi Open" in Nairobi, Kenya. A journey filled with determination, resilience, hope, and full of difficulties and challenges in order to raise the name of Sudan high in international sports forums and to solidify the art of Jiu-Jitsu in Africa.

This acclaimed documentary follows the story of six people who are determined to end the sufferings in Sudan's war-ravaged Darfur. The six - an American activist, an international prosecutor, a Sudanese rebel, a sheikh, a leader of the World Food Program and an internationally known actor - demonstrate the power of how one individual can create extraordinary changes.

Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.

The elder filmmaker makes a strong statement against the practices of circumcision as they performed around Africa and particularly Sudan. The film is typical of the later Gubara films which are determined to take a stand against the tyrannies that are still keeping people down. Gubara has stated that circumcision is "Nothing more than a bad habit".

A short documentary on the practice of Zar in Sudan.

The Resurrection

Saddari is a story of A 3 Young bikers decide to hit the road to another state for adventure , Ending up embarking on a challenging bike trip across all of Sudan with less than a 100$ In their pockets combined and worn-out bicycles, Facing numerous challenges along the way.

Benjamin and Awad run Sudan's national film archive. The two men, who have worked together for more than 40 years, are devoted to protecting their country's visual memories. Home to some 13,000 films, the archive preserves pivotal moments of Sudan's turbulent history and is one of the largest in Africa. But the archive is in a fragile state. Following years of neglect and poor storage, many film reels are turning to dust in Sudan's unforgiving tropical climate. The two friends are determined to turn it around and embark on a mission to save the old films. Will they succeed in preserving Sudan's visual history for future generations before it's too late?

Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.

A group of exceptional young ladies in Khartoum are determined to play football professionally. They are prepared to defy the ban imposed by Sudan's Islamic Military government and they will not take no for an answer. Their battle to get officially recognized as Sudan's National Woman's team is fearless, courageous and often laughable. But their struggle is unwavering. Through the intimate portrait of these women over a number of years we follow their moments of hope and deception. Despite the National Football Federation getting FIFA funds earmarked for the women's teams, this team continues to be marginalized. However, there is a new spark of hope when the elections within the federation could mean real change of the entire system.

Sudan, Southern Kordofan, the Nuba Mountains in Africa. Scenes from the forgotten war that the fighters of the Nuba people have held since 2011 against the government of President Omar al-Bashir and the Sudanese army, which crudely show the hard daily life of Hannan, a brave woman fighting for the survival of her family; Jordania, a promising student; Mosquito, a reckless journalist; and Al-Bagir, a rebel leader.

A major shift of political power in Sudan started with street protests throughout Sudan on 16 December 2018 That resulted in the overthrow of the dictator Omar Al-Basheer. The Sudanese Revolution took over 38 weeks to achieve its demands with over 300 casualties and +1200 arrests. Fire in the Nile is a documentary about how the people dealt with the government and how to protest until their demands have been granted.

The film builds up a portrait of a great Sudanese film-maker, Gadalla Gubara. At eighty-seven, he is one of the pioneers of cinema in Africa. He has recently lost his sight but still continues to film life in Sudan as no one before him. Through his oeuvre, Gadalla reveals to us a Sudan both mysterious and misunderstood. Despite censorship and lack of financial support over sixty years, he has produced cinema that is independent and unique in a country where freedom of expression is a rare luxury.

As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.

A Schweitzer of Korea Father LEE Tae-seok, devoted his life in Sudan; a remote area of Africa.

When tribal feuds ignite a firestorm of violence, three surgeons unite for peace. Francis grew up with little schooling during the Sudanese Civil War. Ajak is a Lost Boy who has returned to the tribe he fled as a child. Both men are proteges of Glenn, a grizzled, but brilliant American surgeon.

Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.