Eyna Bejnê

Dreams are the only way for a Kurdish mother from Kobane to meet her martyr son during many years

Scud Patriot

Turtles Can Fly tells the story of a group of young children near the Turkey-Iraq border. They clean up mines and wait for the Saddam regime to fall.

This film is about what the routine of everyday life can do to the human mind and psyche. It also reflects on the importance of the choices we make and how limited these choices are in the first place. The plot evolves around a family of four. They live in the suburbs, in a strange villa that appears, through a complex game of mirrors, to be more like a piece of installation art than a real house. The main character, who hardly appears on screen, is the son, a man in his thirties. Suffering from asthma and eczema since childhood, he uses his condition to manipulate his parents and his sister. Thus the existence of the terrorized family turns into an endless ritual of attempting to satisfy his whims, and always on the alert for yet another one of his “health crises”. Las Meninas resembles the scattered pieces of a puzzle. It is up to the viewer to assemble them in order to form his very own picture – something that makes the film itself personal and unique.

"Nû Jîn", New Life, with the slogan ' Woman is life. Life is resistance and resistance is Kobanê', depicts the daily life of women guerillas, Elif Kobanê (18), Vîyan Peyman and Arjîn, joining in the Women's Protection Units (YPJ) in their battle against ISIS. The documentary relates the ISIS assault of 15 September 2014 and the five-month resistance by the YPJ and People's Defense Units (YPG) through the lens of three women fighter

A man falls in love with a beautiful young woman and begins to suspect that he may have also loved her in a previous life.

In a snowy Kurdish mountain village, in the east of Turkey, an old woman Berfé and her granddaughter Jiyan are distressed. The only man in the household, Temo, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrested all the men and announced that they will be kept in prison until their families hand over the weapons. The problem is that there are no weapons in the village. Desperate, Berfé and Jiyan embark on a long journey, in search of a gun which they could exchange for their beloved Temo. Will the old woman and her innocent granddaughter find a way out of the inextricable Kurdish identity conflict?

It follows the filmmaking journey of two filmmakers as they navigate through the urban sprawl of inner KL during the pandemic. It showcases the city in a raw, exposed and gritty fashion but still with a certain charm. Throughout their filmmaking process, they capture the peculiar events in the life of three strangers: the son (Fakhrul Aiman), the outsider (Eli Orkid) and the hustler (Nidusmas). They happen to express themselves in extreme ways at the sight of their own reflection in “the vantablack” -- they snap into a state of mind where they lose all their inhibitions and show their true self in a very physical way: through visceral, almost primal dance movements.

Kurdish childhood friends Hussein and Alan want to produce a film about the genocide of Kurdish people in Iraq, the Anfal campaign in 1988. They learn that, to achieve veracity by the means of cinema and to face their own identity, it's worth putting everything on the line - even their own life.

Mateo is an unscrupulous young real estate agent. He lives in a house where nothing is lacking, but his well-off life will be disturb one morning because of the presence of an intruder.

In this anthology, three stories connect through one place: the Dream Inn. A former drug addict, a frustrated journalist and a man searching for his missing wife are drawn to the mysterious place and with the help of its enigmatic staff, The Janitor and The Recepcionist, they will have to face the consequences of their deepest desires.

After returning from work, a man stands in front of the mirror and starts making excuses. Words that gradually reveal truths and remove masks.

Despite being outnumbered and outgunned, a female Kurdish fighter guides her fellow fighters in the resistance to defend their city, Kobanê, from the deadly threat of ISIS. A real story of war, sacrifice, love and hope that kept the whole world on tenterhooks.

After losing his job in Mumbai, Tashi is compelled to return to his village in the remote interiors of Arunachal Pradesh. Waiting for news of any new job in the city, he struggles to get accustomed to life in his native place.

During WW1, the destinies of British officers Michael Andrews and John Stevenson seem intertwined on the battle front as much as on a more personal level.

In the winter of 1988, in the depths of the Iraq/Iran war, the border town of Halabja was attacked by chemical weapons with all its people and their different stories.

Rojda, a native of Iraqi Kurdistan and a soldier in the German army, travels to a refugee camp in Greece where she manages to meet her mother, who has bad news about her sister Dilan.

Young girl from the suburbs gets knocked up and ends up tripping out in an East Village drug den.

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

Tsutomu lives alone in the mountains, writing essays, cooking Zen food with the vegetables he grows and the mushrooms he picks in the hills. His routine is happily disturbed when Machiko, his editor and love interest, occasionally visits. Tsutomu seems content with his daily life. On the other hand, he still hasn't let go of his wife's ashes, although she died 13 years ago.