A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
In a time marked by longing and uncertainty, at the beginning of a social isolation, two friends disappear. The pandemic becomes a backdrop for the loss of innocence and the rescue of long-lost things. Ingenuous is like a farewell gift from the only link that united these two missing figures; two strangers who get lost, or maybe, just maybe, just met.
Using intimate footage recorded by passengers and crew, The Last Cruise is a first-person account of the nightmare that transpired aboard the ill-fated Diamond Princess cruise ship, which set sail from Japan on the earliest days of the COVID-19 pandemic.
Explore the first – and only – time “demonic possession” has officially been used as a defense in a U.S. murder trial. Including firsthand accounts of alleged devil possession and a shocking murder, this extraordinary story forces reflection on our fear of the unknown.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
Follow 20-year-old Lily Hevesh — the world’s greatest domino toppler and the only woman in her field — in a coming-of-age story of artistry, passion, and unlikely triumph.
Génération COVID
The story of the unprecedented sports shutdown in March of 2020 and the remarkable turn of events that followed. This sports documentary is a chronicle of the abrupt stoppage, athletes’ prominent role in the cultural reckoning on racial injustices that escalated during the pandemic, and the complex return to competition in the summer and fall.
A woodsman from the Catskills helps a group of people get through the COVID-19 pandemic with a daily livestream.
Filmed over five years, we follow Lily Jones, 20, as she transitions from male to female, leaves her seaside home for the city, undergoes gender reassignment surgery and finds love.
An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
This deeply affecting documentary follows a small number of Israelis and Gazans through the most dramatic and tragic year of their lives. Using personal and previously unseen footage, it tells the story of the war in Gaza and the October 7 attacks through deeply emotional stories from both sides of the conflict. In Gaza, the film follows three individuals from reaction to the October 7th attacks to the start of the bombing by the Israeli military and to the loss of family members that all three suffer. In Israel, we witness footage of the Israeli characters, as they and their family members are attacked by Hamas on October 7th and then follow their stories through the year.
The Covid hysteria began with slogans like “just 15 days to flatten the curve”, but within a year, it evolved to be “everyone must get vaccinated”. Your rights to the absence of coercion and informed consent are now under continual attack! People around the world are unable to get on planes and trains, access hospitals, attend funerals, go to restaurants and gyms, simply because they do not have a “health” pass.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.