Window Visits

A young Italian doctor thrust into a COVID-19 ICU ward grapples with isolation and uncertainty with no end in sight.

Elogio a la Sonrisa

Portrait of the birth of a friendship between two men, while one helps the other to die. The acceptance of pain, the sense of humour and the commitment to family and friends, will accompany the virtual chats between Fernando and Eric, who were unable to meet due to the pandemic.

This documentary recounts the experiences of people on the ground in the earliest days of the novel coronavirus and the way two countries dealt with its initial spread, from the first days of the outbreak in Wuhan to its rampage across the United States.

Following the class of 2020 at Oakland High School in a year marked by seismic change, exploring the emotional world of teenagers coming of age against the backdrop of a rapidly changing world.

A father’s heartfelt plea to have lifesaving talks with pre-teens and teens comes after his 12-year-old son’s suicide from COVID-related isolation.

When Covid-19 hit New York City in 2020, filmmaker Matthew Heineman gained unique access to one of New York’s hardest-hit hospital systems. The resulting film focuses on the doctors, nurses, and patients on the frontlines during the “first wave” from March to June 2020. Their distinct storylines each serve as a microcosm to understand how the city persevered through the worst pandemic in a century

Never-before-seen footage shows how our living in lockdown opened the door for nature to bounce back and thrive. Across the seas, skies, and lands, Earth found its rhythm when we came to a stop.

An in depth look into the Covid 19 narrative, who’s controlling it and how it’s being used to inject an untested, new technology, into almost every person on the planet. This film explores our recent loss of human rights while weaving in the devastating impact of mandates and the deeply powerful story of one man's loss. Hear the truth from doctors and scientists unafraid to stand up against Big Pharma and the elite class who profit from these mandates. https://uninformedconsent.ca

One of the greatest pests on the planet, the evil ants destroy the forest to protect their family. Memories of the covid-19 pandemic, eroded by ignorance and negationism. What's left in this great country of worms and viruses?

Como a China encobriu a pandemia de COVID-19

Filmed over five years, we follow Lily Jones, 20, as she transitions from male to female, leaves her seaside home for the city, undergoes gender reassignment surgery and finds love.

Muitos líderes em democracias erraram na pandemia. Ninguém errou mais que Bolsonaro.

During the pandemic-induced lockdowns of 2020, a restaurant owner struggles to maintain his business.

JUNI 53

Story of Mary Mallon. Typhoid fever carrier

When Melbourne’s cultural hub is left devastated post-pandemic, the creative industry, like many others, is ravaged. Set amongst the ashes of the cities arts scene, BOHEMIA is a hybrid of documentary, music video, and next generation concert film that powerfully recounts the story of this fallen angel of Australian culture and asks the looming question: “what now?”. Shadowy underground musician VANTA and debutant director Madeline Royce team up with a decorated collective of young creatives to contend that art in the pandemic need not be a compromise, but an evolution.

Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?

A 19-year-old high school graduate travels through Australia as a backpacker and accompanies his adventure with a camera.

'Gideon: Searching for the truth' takes the viewer with Van Meijeren on his quest for answers to questions about the current global health crisis. Questions that are common among the population, but to which he, and therefore the people in the country, do not get an answer in the Dutch House of Representatives. A place where Van Meijeren says he often feels like 'crying in the desert'. Where he gets no answers to his 'justifiably pressing' questions. Where instead he is invariably framed and judged by form, which makes any form of democratic debate impossible in advance.