Art Critic Waldemar Januzczak presents this documentary which details french artist Toulouse-Lautrec's life.
Sale race
Renaissance artist Sandro Botticelli (1445-1510) is both a cultural icon and a lasting source of artistic inspiration. His famous female figures, like Venus and Primavera, have become part of our shared visual memory and influence artists worldwide. Berlin director and art historian Grit Lederer explores Botticelli’s life and work, focusing on the Gemäldegalerie’s impressive collection. The film examines how his iconic paintings continue to inspire art and advertising today. Experts reveal what makes his style unique and why his work was forgotten for centuries after his death. Contemporary artists such as French artist Orlan and American Michael Joaquin Grey present works inspired by Botticelli. The documentary traces Botticelli’s enduring impact from Florence through Paris and New York to Berlin.
Curator Robert Storr takes us through the 2002 MoMA Gerhard Richter retrospective.
A look at the artwork of Aleister Crowley.
On a search for a couple for a love story with sex beyond the 70 Herbert Götzinger sent me to his colleagues sculptor Ludwig Chateau. During my surprise visit with the running camera, asking if he would be willing to do his part, he attacked me: "Is not that enough what they're doing at this moment?" –LM
Julie Mendez was a 17 year old teenager when she saw the "be all that you can be" Army recruiting messaging and decided to enlist. Her life would change forever when she was deployed to serve in the Iraq War. Her experiences changed her and she returned home to face feelings of isolation and depression. Always a creative person, Julie turned to art to help her process her experiences and begin to heal her PTSD.
Asdrúbal Trouxe o Trombone
Hours and historical meetings, Pierre Assouline has composed an anthology of the best extracts presented in the form of a primer, which he had commented on by a surprised Bernard Pivot.
A montage, using documentary material filmed during the war, shows the beginnings of an air attack and Londoners entering shelters. From the silent deserted streets, the film moves underground into the world of Henry Moore's shelter drawings. People sit along subway platforms, looking after their children, settling down for the night, sleeping in bunks and on the floor. Above ground London burns. Henry Moore used the eye of a sculptor in portraying the stolidity and enduring patience of a besieged people. This film brings together a unique series of drawings which are some of the most remarkable achievements of an artist during wartime. Eliminating all narration, it explores, on several metaphoric levels, the very nature of human consciousness and creativity.
The Russian painter Wassily Kandinsky claimed, or has been credited with, the 'creation' of abstract art. At the core of this film is a dramatic recreation of Kandinsky's account of returning to his studio one dark evening, and being astonished by an unknown masterpiece of abstract art leaning against the easel - a picture which turned out to be one of his own landscapes fallen on its side. 'Now I knew for certain that the object spoiled my pictures.' While this film's narration does indeed emphasize the notion of an inspired breakthrough to Abstraction, the picture it conveys in more purely filmic ways is a rich and complex one.
A documentary about legendary butoh dancer Kazuo Ohno.
The film, shot in the Saharawi refugee population camps, tells the story of a group of students from a film school who, for their final year project, decide to shoot on the Wall of Shame erected and mined by Morocco, in the middle of the current war that is being waged after the breaking of the ceasefire by the Alawite regime in November 2020.
Lifting the lid on the fascinating last decade of Andy Warhol's life and the legacy he left for future artists, through never-before-seen footage and interviews with insiders.
First broadcast in 1987 on the UK's Channel 4, Bombin' is a documentary about Afrika Bambaataa's Zulu nation bringing American hip-hop culture to the UK for first time. The main focus is the graffiti art of Brim and the variety of reactions he is faced with from the British public and press.
For the Yamakasi the "Art of Displacement" is a way of life. Racing through the new cities that ring Paris, climbing walls, swinging from balconies and leaping across rooftops, they transform the oppressive concrete architecture into places of fantasy, possibility and play. The heart of our documentary is the story of how the Yamakasi are transforming the youth of the suburbs, and themselves, through discipline, will and desire. Now, as the Art of Displacement is being embraced as an extreme sport and urban pastime, will the social message be transmitted as well? What is it for the new generation?
London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.
The Art of Antony Gormley features the documentary Antony Gormley and the 4th Plinth, produced for Sky Arts, which reveals the background to this living monument and explores its origins in the sculptor's beautiful and mysterious art. Works created across more than two decades were filmed in HD for this visually sumptuous and thought-provoking documentary.
For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.
A painter, a naked woman, and a camera. In this triple constellation we explore the power of the gaze and the roles it imposes on us. An artist's studio turns into the setting for questions about how we look at and perceive women. The naked skin of the model becomes the canvas for an audiovisual exploration of the ways in which seeing and being seen anchors us in our body. And how this body shapes our experience of the world and our role in it.