A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
A cardboard boy makes-believe inside a cardboard box. Dodu, the cardboard boy, is very sensitive and lives in a city wich is really hostile towards little children. So he spends many hours indoors, playing with Carica, his ladybug friend. Whenever Dodu scratches the surface of the cardboard box, he is able to create wonderful worlds inhabited by unusual creatures that help him to deal with his emotions and how to grow.
In a world where iron and land mix themselves creating unexpected cities, the wind blows life among leaves in the eternal rebirth cycle. This is the wind’s embrace.
Mickey and his friends take a close look at important street safety situations and tips.
The atmosphere, sounds and sights of Soho Square on a summer's day.
This documentary is featured on the DVD for Captain Blood (1935), released in 2005.
In 1928, as the talkies threw the film industry and film language into turmoil, Chaplin decided that his Tramp character would not be heard. City Lights would not be a talking picture, but it would have a soundtrack. Chaplin personally composed a musical score and sound effects for the picture. With Peter Lord, the famous co-creator of Chicken Run and Wallace & Gromit, we see how Chaplin became the king of slapstick comedy and the superstar of the movies.
A herd of war-torn and hungry rats tries to get an answer to the question of who is Lili Marleen from a mortally wounded young soldier stuck in a projectile funnel. Is it a reminder of first love or first relationship with a prostitute earning her daily bread? Lili Marleen is not just a distant heroine from a song. Every soldier boy has her own Lili, be it his first love from school or just an imagination. But always, no matter what happens, she is waiting for her soldier underneath the lantern by the barrack gate...
This film aims to capture the stories of the aging Isabella, but also captures her condition and loss of cohesiveness as she loses herself into dementia and Parkinson's. It is also a very personal film since the subject is the grandmother of one of the co- directors. The idea is interesting as it links one strong clear memory, told several times, to other fragments and truths of her condition. Animation is sparingly but cleverly used to complement the delivery and avoid it just being a talking head.
Mountain Music illustrates what happens when technology gets too advanced too soon. Preserved by the Academy Film Archive in 2012.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Presents life in 18th century Spain as the painter Francisco de Goya showed it to us.
Young men are faced with a medical commission for army recruits and asked to choose where they want to get to, at least theoretically.
The 1966 visit of Hollywood movie star Kirk Douglas at the legendary Polish State Film School in Lódz.