K2: The Impossible Descent

Jean des Bossons is a documentary-fiction which recounts the activities of a high mountain guide in 1947. Around Chamonix Mont-Blanc, the guide Jean des Bossons, interpreter by the mountaineer Armand Charlet, accompanies on mountain hikes, Jean-Pierre, an apprentice guide. The novice, skis on the shoulder, is already clumsy. The professional taught him how to travel on skis uphill and downhill, then mountaineering in ice and rock parishes. By dint of training, Jean-Pierre has made it his job. Guides are also lifeguards. A group went to a glacier to rescue a man who had fallen into a crevasse. During this rescue, Jean des Bossons is the victim of an accident. A drama that prevents him from practicing the profession, but not climbing. The man sinks into the fog and Jean-Pierre cannot find him.

Le Dernier Voyage de Patrick Edlinger

Director Damien Roz was twelve years old when he attended a conference by mountaineer Jean-Marie Choffat who told of his passion for the mountains and his fight against cancer. Shocked, the young boy said to himself that one day he would tell the story of this extraordinary man. 29 years ago Jean-Marie Choffat, a seasoned mountaineer, suffered from liver cancer. It was then announced to his parents that he only had a few months left to live. But Jean-Marie, who had just had a son, promised himself that he would see his son grow up until he was at least 20… His son Marcelin is almost thirty today and Jean Marie is still there. Jean-Marie lived through the golden age of mountaineering with some 1,200 ascents around the world and many firsts... If he remembers an ascent of the north face of the Grandes Jorasses between two chemotherapy sessions, he evokes his strong friendships with Yannick Seigneur, René Desmaison or Gaston Rébuffat...

Roger Frison-Roche born in Paris in 1906 and moved to Chamonix at the age of 17. He was quickly adopted by local mountaineers and became the first guide in the Company not to have been born in the valley. He is also an insatiable explorer, in love with landscapes and peoples, having traveled from the Hoggar to the Sami camps in Lapland. And the author, among others, of the famous adventure novel Premier de Cordée! This documentary, made up of archive images and interviews, exposes the prolific life of a man who communicated his passion for the mountains by all possible means. A young journalist from Chamonix follows in the footsteps of Roger Frison-Roche. She meets people who knew him and others who followed in his footsteps: guides, filmmaker and author Philippe Claudel, a director, his family; on a trip to Lapland, Algeria, Chamonix.

Marcel Ichac accompanied the mountaineer Armand Charlet, in 1943, in the repetition of the first crossing of the Aiguilles du Diable that the guide of the Chamonix valley had made in 1925. A roped party joined on snow and ice the Col du Géant, reached at the Mont-Blanc-du-Tacul stop and on the Col du Diable. The men cross the needles by climbing chimneys, cracks and abseiling walls. They access the eastern slope of the Mont-Blanc massif which offers a panorama of the Grandes Jorasses and Mont-Blanc. Armand Charlet was the first to reach the summits of four needles above 4000 meters: the Devil's Horn, Pointe Chaubert, Pointe Médiane and Pointe Carmen; he also tells how he successfully climbed the furthest, the Isolated. Marcel Ichac shot these scenes as close as possible to his subject, he responded with this film with a “truth” cinema, the principle of which we find in his later productions.

For a century and a half, mountain images by their beauty have largely gained from its influence, its frequentation and its development. But they are also a tool in the service of science, fixing the transformation of landscapes, habitats... Over 150 years, the Tairraz dynasty photographed the mountain. Four generations of photographers have magnified the Mont-Blanc massif. From the first photograph taken at the summit of Mont-Blanc in 1861 to the present day, this art is at the origin of many mountaineering vocations and has largely contributed to the tourist development of these formerly ignored valleys. Here is the wonderful story of a dynasty of photographers, the Tairraz, which stretches from 1861 to the dawn of the 2000s.

The "Lyon Premier 8000-Gasherbrum II 8035m" expedition, organized and led by Jean-Pierre Frésafond in 1975, was sponsored by the Lyon section of the Club Alpin Français and by Louis Pradel, Mayor of Lyon. The film traces the departure from Lyon of Berliet heavy trucks loaded with equipment, daily life in Pakistan, preparation for the expedition and the approach march with the porters, daily life at the base camp and in the camps. altitude of the members of the expedition: L. Audoubert, Marc Batard, F. Bourbousson, A. Chariglione, J. Dupraz, J.J. Forrat, H. and JP. Frésafond, B. Macho, Doctor A. Raymond, Y. Seigneur, J. Soubis, F. Valençot, B. Villaret de Chauvignypuis. Finally On June 18, 1975, Yannick Seigneur and Marc Batard reached the summit by opening a route along the south ridge. Bernard Villaret de Chauvignypuis, who was killed during the second assault, was the first victim of the Gasherbrum.

"Flammes de Pierre" is the first documentary made by Gaston Rébuffat himself in 1947. It depicts Rébuffat in full ascent of the Flammes De Pierre, wild ridges in the heart of the Mont Blanc massif overlooking Chamonix. Like Roger Frison-Roche, Walter Bonatti, René Desmaison or Giusto Gervasutti, Gaston Rébuffat has written and filmed the great pages of contemporary mountaineering but above all, he knew how to talk about it with enough poetry so that it is not simply airtight race stories for spectators. Stories that have been triggers for many readers, who have come to know “stone flames” thanks to him.

History of the first ascent of Aconcagua by the south face in February 1954 by the French shock team led by René Ferlet and composed of Lucien Bérardini, Adrien Dagory, Edmond Denis, Pierre Lesueur, Robert Paragot and Guy Poulet. In seven days of combat, they extricate themselves from the mountain in a pitiful state; all except Robert Paragot will be victims of severe frostbite which earned them amputations, some important as for “Lulu” Bérardini who lost part of his left hand.

The first filmed winter ascent of the north face of the Matterhorn. To set the scene, the tragic story of Edward Whymper's first ascent is skillfully pieced together. The modern expedition, a team of three British climbers, is also plagued with epics: Eric Jones is hit by an avalanche and can only come to a dangerous stop at the edge of a 1000 foot drop. Then the worst storm ever recorded in Zermatt hits the Matterhorn. With time and weather against them, the team is forced to climb in the dark as thunderstorms rumble around them. This adventure captures the skill and courage of the climbers, their agony and tension, and the beauty of the assault on this spectacular mountain. Grand Prize at the Les Diablerets festival (Switzerland) in 1976.

L'Appel Des Cimes, directed by Alain Pol, is a documentary commissioned by the CAF and the various French ministries on the practice of post-war mountaineering. In 1946, climbers trained at the Fontainebleau Climbing School. Guy Poulet and Jacques Poincenot try to climb the Aiguilles de Chamonix but fail during the climbing phase. After a night in a refuge with Denise Rouzeau and the guide Pierre Allain, the mountaineers make a new attempt. Successful demonstration for those who continued the approach walk then the passage of the seracs of the glacier. On the rock, the roped party crosses a chimney and a crack to reach the summit and abseil down. Led by high mountain scouts, Guy and Jacques rediscover the glaciers and needles of the Mont-Blanc massif during the next lesson.

History, advice and demonstrations of mountaineering in the Mont Blanc massif by the renowned guides of the National School of Ski and Mountaineering from Chamonix. The film starts with an historical summary illustrating the aspirations and methods that lead man to conquer the mountains. Armand Charlet teaches mountaineering techniques and takes his students to the field for glacier or rock exercises. Gaston Rebuffat makes demonstrations of particularly dangerous climbs. At altitude, people move in solitude, cold and silence, like circus acrobats without spectators, but nothing stops the modern mountaineer.

On the occasion of the 150th anniversary of the first ascent of the Aiguille Verte, the Compagnie des Guides de Chamonix is ​​producing a film retracing the major dates of this summit which is so dear to it. 'La Verte' has been the object of desire for many mountaineers for a century and a half. Big names have paraded in search of this 4122 meter summit: Edward Whymper, Michel Croz, Albert Mummery, Armand Charlet, Marco Siffredi... La Verte has had a strong impact on the history of mountaineering, inspiring Gaston Rébuffat who warned the future contenders for this summit: "Before the Verte you are a climber, in the Verte you become a mountaineer".

"Sur Les Traces De Premier De Cordée", a color documentary from 1952 which will be released the same year as the eponymous photo book published by Arthaud, features Roger Frison-Roche and his sidekick Georges Tairraz II on the Aiguille du Grépon (3482 m) in the Aiguilles massif which overlooks the Chamonix valley. Together they co-produce the images of the ascent. The young Pierre Tairraz, who completed his training in Paris, at the school in the rue de Vaugirard (Cinema promotion in 1953), also took part in this very technical aerial filming as assistant to his father Georges Tairraz II and cameraman.

Italiani all'Antartide

It is 1 p.m. on June 30, 1982, when Christophe Profit, 24, shows up at the foot of Les Drus with his pof bag, his climbing shoes and nothing else. He will try the west face of Les Drus in "solo", in the Mont Blanc massif by "Directe Américaine", 1100 meters of vertical and smooth rock. Christophe will achieve the feat of climbing the wall in free solo, without using a rope or any belaying technique. At 4:10 p.m., barely more than three hours after the start of his ascent, the new climbing star can embrace the Virgin of the Drus at the same time as the career of a high-level mountaineer. Three years later, on July 25, 1985, he climbed the north faces of the Matterhorn, the Eiger and the Jorasses in the same day. Awarded at many mountain film festivals, this great documentary is a magnificent testimony to one man's passion for climbing, the mountains and adventure.

The true story of Joe Simpson and Simon Yates' disastrous and nearly-fatal mountain climb of 6,344m Siula Grande in the Cordillera Huayhuash in the Peruvian Andes in 1985.

Tom Ballard lives with his father James in a campsite in the Dolomites. Tom's mother, Alison Hargreaves died descending K2 when he was just 6 years old. Despite this, he never wanted to be anywhere other than in the mountains. His whole life is dedicated to climbing and his last goal is to solo the Six North Faces of the Alps in a single winter season. Nobody has achieved this before, and he wants to be the first. In a white van driven by James, Tom will travel through the Alps to make his dream come true.

While shooting Gerard Mordillat's film, "Billy ze Kick", Christophe Profit, one of the best climbers in the world, was asked to stand in for an actor. He will, without ropes or belay, climb the smooth side of a 60 meter building.

"The ascent of the Aiguilles Ravanel and Mummery", climbed by young guides in cycling pants: The brothers Armand Charlet and Georges Charlet, Arthur Ravanel, Henri Couttet and Charles Balmat. The film was shot by Georges Tairraz II, Chamoniard mountain photographer, representative of the third generation of a family line of mountain photographers and filmmakers. George Tairraz II's film will lay the groundwork for a French vision of mountain film; In the 1930s, a French school of mountain cinema emerged, less expressionist, more stripped down and realistic than the German school. These are the films of Marcel Ichac, Roger Frison-Roche, Samivel, Georges Tairraz II, etc. It develops according to the principles set by Marcel Ichac, in opposition to the German school. It is both about getting out of the dramatic vision of the mountain and placing the mountain and the climbers at the heart of the plot.