A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.
In Madonna, Tanaami employs his signature collage-style animation, combining pop art influences, retro aesthetics, and surrealistic motifs. The film explores themes of desire, fantasy, and memory, often referencing elements of post-war Japanese culture and American pop culture.
Organized in 12 discrete chapters, Sixty Six is a milestone achievement, the culmination of Klahr’s decades-long work in collage filmmaking. With its complex superimpositions of imagery and music, and its range of tones and textures at once alluringly erotic and forebodingly sinister, the film is a hypnotic dream of 1960 and 1970s Pop. Elliptical tales of sunshine noir and classic Greek mythology are inhabited by comic book super heroes and characters from Portuguese foto romans who wander through midcentury modernist Los Angeles architectural photographs and landscapes from period magazines.
Prelude 14 begins in deep brilliant red which darkens into deeper reds and lavender shapes, disrupted by a variety of colors settling into browns and grays and shapes most rock-like, all of which is then shot-thru with sufficient yellow to break up all hard-edge form and give a molten aspect to the mixtures of shapes.
Director's cut release of the war/mecha anime series "FLAG" features famous scenes from the series edited together into a cohesive, realistic story about war. Camerawoman Shirasu Saeko's photo of residents of a war-torn Asian country struggling to raise the flag of the UN became the symbol for the movement of peace across the land. However, on the eve of a truce, the actual flag captured in the photo is stolen and war once again threatens to plague the land. To return the flag and establish peace in the land, the UN sends a lone mechanical army called the SDC (pronounced as Seedac—Special Development Command).
A lucid dream turned nightmarish reality. A ship sinking into a world of fear. A short film that’s mostly puppetry by one of America's most prolific twentieth century artists.
A four-dimensional short anime will start at the very beginning of Shibuya Crossing, that is, 10,000 years in the past. The anime is part of a collaborative project helmed by Yoshitoshi Shinomiya. It features a hybrid of animation and live-action. The short was screened on Shibuya's Crossing screens and a YouTube-friendly version was posted as well. (Source: ANN)
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
Short film by Mary Ellen Bute
In the Fall of 1999, four teenage sleuths and their Great Dane got lost in the woods while in search of a mystery. This is their story.
Three shorts and three supplements tackle the central theme of 'compliance'. A wanna-be actress findsherself trapped between her traditional loyalty to her parents and her strong-willed director; a police officer and his robot sidekick resort to unorthodox methods to fight crime; a structuring of a PSA to promote social sensitivity is taken to absurd extremes.
Traditional Northwestern Indigenous spiritual images combined with cutting-edge computer animation in this surreal short film about the power of tradition. Three urban Indigenous teens are whisked away to an imaginary land by a magical raven, and there they encounter a totem pole. The totem pole's characters—a raven, a frog and a bear—come to life, becoming their teachers, guides and friends. Features a special interview with J. Bradley Hunt, the celebrated Heiltsuk artist on whose work the characters in Totem Talk are based.
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.
Slow disintegration and aging of artists head, revealing underlying bone structure. Created using old picture-phone technology. New music added in 2013.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
We watch white shapes dancing on black background, which changes when the white shape fills up the screen completely, and black lines and figures bounce around on the now white background.
Meet 5000 space aliens in 5000 seconds in this bonkers animated film.