The Making of The Lost Son

A teenage boy navigates the final minutes before his first theater stage performance, which includes experiencing his first kiss. Despite his rising anxiety, he shares a romantic moment with a classmate.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A misunderstanding leads to sombre consequences as two flatmates recall very different turns of event from the previous night.

After some time apart, Andrew hopes a game of catch will help him reconnect with his father.

Many exotic characters meet in São Paulo night, looking for love and adventure: Malu, a model; Mauro, a drag queen; Teddy, a hustler; Guto, a gay reporter; and Marta, an actress.

A teenager struggles with his identity after an unresolved family relationship.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.

12-year-old Clarice Cheung feels like she’s invisible — especially next to her older sister Naomi. But when a fight breaks out at the dinner table, it awakens a ghost that begins taking the family, one by one. Now Clarice and Naomi must work together to stop this powerful spirit, before their family is torn apart forever.

A betrayed wife begins to investigate her husband’s mistresses. Her jealousy is gradually replaced by curiosity.

A young girl buries in her soul a memory of a painful moment, when as a child she brought home an injured bird and her father burdened by his own weight of worries didn’t notice her feelings and longing for understanding. The girl took her father’s reaction as indifference and closed herself in her inner world longing for her father’s love and its manifestations. Since that moment she and her dad continued to grow apart, and as an adult she is no longer able to accept his endearments. The father suffers from guilt and searches for a way back to his daughter, trying to revive their lost relationship.

A man and a woman have an awkward encounter at an indoor playground.

This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)

It's the summer after high school graduation and Gabriela, a young undocumented Guatemalan woman, pursues her dream of swimming for an illustrious Country Club swim team. Despite her single-minded determination, Gabriela is continually confronted with her overprotective mother’s ears, limitations on her economic and legal status, and self-judgment. As she questions her self-worth against the structures of contemporary American Southern life, Gabriela embarks on a quest towards personal freedom and self-acceptance.

In the brief moments before a hate crime occurs, a young woman imagines her escape.

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.

The man behind the legend and a knowing look at the 1950's Hollywood are revealed in this dynamic bioepic of the meteoric star whose troubled life echoed his gut-grabbing performances in East of Eden, Rebel Without A Cause and Giant.

A woman on a journey through a crowd grapples with private and public revelation, repulsion, fear, personal safety, and the desire for basic human interaction.

COME SWIM is a diptych of one man's day; half impressionist and half realist portraits.