Samuel de Champlain: Québec 1603

When you were born, what did you desire the most?

Working with Luigo Fulci and making 'Touch of Death'.

Comedic avant-garde animation of The Simpsons. Third part of a 4 piece series of short films.

Comedic avant-garde animation of The Simpsons. Fourth part of a 4 piece series of short films.

A duckling tries to save the animals when a storm hits their farm.

A man encounters strange animals during a road trip.

This is the Animal Village within the forest. The Monkey Family with many children, the Bear Family, the Raccoon Family and many other animal families live happily together in this village. One night, a strong northerly wind puts the Monkey Family in panic, and the little boy bear of the Bear Family falls into the river. The Raccoon Family and the Monkey Family members all rush to the river to rescue him.

Animated short movie from 1931.

A retelling of part of the Gulliver's Travels adventures. A short film from 1950.

Who’s afraid of the big bad wolf? "Not I!" answer the first two brothers as they build their new homes -- one made of straw and the other of sticks. But when the wolf huffs and puffs and blows down their houses, the brothers seek protection in the third pig’s house, very wisely made of bricks. Will the three little pigs finally be safe once and for all? Bonus shorts include: The Big Bad Wolf, Three Little Wolves, Lambert The Sheepish Lion, Chicken Little, Three Blind Mouseketeers, and Elmer Elephant.

Walt Disney Treasures - Silly Symphonies

In a realm beyond the senses, plants interact with surreal cinematography to chart the course of our character: an entity said to embody the life and work of Felisberto Hernández, Uruguayan father of magical realism. Through this journey, we are confronted with an open-ended experience questioning the nature of musicality versus cinematography, entity versus aberration, and self versus space, in a self-referential, blurry, digital and mystical setting.

A subway jigsaw of Marker's work: PASSENGERS.

A short segment of the feature film Melody Time, re-released as a separate entity five years afterwards.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

Junior and Pudgy slip away from Betty Boop's care to go hunting with a pop-gun.

In a world wherein cars act like humans, Junior wants to be a taxi, but his mother wants him to grow up to be a nice touring car like his father. Mom doesn't know that Junior sometimes skips school and ventures into the city to ride in traffic, drink hi-test gas, and race trains.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Toru Matsumoto's official music video with Mirai Mizue's interesting hypnotical-rhythmical animation.