With Davy Crockett at the Fall of the Alamo

The hunter becomes the hunted, an officer of the Royal Mounted, fleeing, fighting for his life. Guided to a secret valley in the frozen North by a hot-blooded French-Canadian beauty, with a secret of her own...

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

When he's fired from his bank job aimless Claude Bennett decides to head West. Once he gets a job as a cowboy on the Flying "U" ranch he restyles himself as Chip and discovers who he really is through a series of adventures.

John Found, a well-educated American Indian, works as an interpreter on an army post in the West. Although John Lane, a post officer, loves Katie O'Day, a rancher's daughter, he becomes the amorous target of the widowed Mrs. Van Allen. To rid herself of Katie, Mrs. Van Allen starts a rumor that Lane has a wife in an insane asylum.

A 1922 film directed by Frank Lloyd.

The Little Napoleon

William S. Hart directs and stars in a film that is a typical Western of the era. He plays Jim, a prospector who lands in the town of Broken Hope, and the name pretty much describes its inhabitants. Jim meets and falls in love with Jennie (Margery Wilson), whose father (Walt Whitman) is gravely ill. Jim rounds up a reluctant doctor from another town to tend to the old man, but he dies anyway. The doctor, however, gains Jennie's trust and she runs off with him. Only then does he tell her he's already married. She leaves immediately, but is too proud to go home so she finds work as a dance hall girl at Tacoma Jake's saloon. Jim, meanwhile, finds gold near Broken Hope, which raises its inhabitants' attitudes considerably. But the bad element is still there, and Jim is chasing after a group of kidnappers when he enters Tacoma Jake's saloon and sees Jennie. Jim not only overcomes the bad guys, he gets the girl, too.

Ilda Barosky, a Jewess whose father was killed by Russian soldiers, is a violin student in love with Alexis Nazimoff, son of the Russian aristocracy. Alexis' father arranges a marriage of convenience between Alexis and Olga Karischeff, the daughter of the ambitious minister of police and attempts to shame Ilda at the betrothal celebration. Defiant, Ilda is whipped before the entire assembly. Alexis rushes in to rescue her and terminates his engagement to Olga. In retaliation, Karischeff sentences both Ilda and Alexis to ten years in Siberia as his last official act. The couple attempt to escape their Siberian captivity, are caught and face a firing squad until Count Nazimoff, who has assumed Karischeff's position as minister of police, arrives with a pardon. The couple return home, and the penitent count finally grants them his blessings.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

Billie Dove, as Elena, pulls out all stops as a Russian princess and a woman-of-the-streets in Paris in an exotic romance and hand-wringing drama set in two countries and the way-stations in between.

Three Scottish officers, including Sir Archi, murder Sir Arne and his household for a coffin filled with gold. The only survivor is Elsalill, who moves to relatives in Marstrand. There she meets a charming young officer- Sir Archi- and she soon understands that he was one of the murderers.

Historical drama which features Gösta Ekman as the dashing rogue who steals the heart of the ethereal Mary Johnson.

The story of Cleopatra, the fabulous queen of Egypt, and the epic romances between her and the greatest men of Rome, Julius Caesar and Antony. Only a small fragment of this film survives.

Lightning Bill Lewis sets out to capture Gómez, the leader of a ruthless gang that has been tormenting a border town. He prevents Gómez from kidnapping his girl, Mary, but Gómez escapes. With the aid of Captain Duerta, Lightning Bill pursues the gang, and when it is captured by Mexican soldiers he is free to marry.

A man almost loses his fortune, not to mention his fiancée, to a society scion.

Monna Vanna

Ranch owner Tex McCloud is convinced there is oil under his property and brings in a drilling rig and equipment to drill for it. But a gang who wants the property wage a sabotage and theft war against him.

California cowpuncher Jim Kern and his pal enlist in the war against Germany and, shortly thereafter, meet Frank Akuri, who has pledged to colonize the United States for his homeland, Japan. While Jim and other white males are fighting in France, Akuri forces Jim's sweetheart Mary to sell her ranch, as she is not able to run it because the only men left, the Japanese, have pledged not to work for the whites. With the ranch, Akuri begins his colony. Mary counters by organizing her society women friends to appeal to Congress against the "yellow menace." When it seems that his plans will be thwarted, Akuri issues orders for the death of Mary and her friends, but Jim and his pal return and rescue them. Akuri then kidnaps Mary and takes her to his apartment, but with the help of Akuri's wronged Japanese lover, Jim learns her whereabouts. He organizes a posse of American Legion locals and rescues Mary just as Akuri is about to murder her. Akuri's group is routed out.

A snake-oil salesman is chased across the desert by a gang of Mexican bandits. He finds out, however, that he is being protected by the spirits of Davey Crockett, Pecos Bill and Johnny Appleseed.

Outlaw Hawk Parsons, notoriously successful in his pursuits, has been caught by the local sherif of a New Mexico town in the 1850s. The overly prideful sherif and his lawmen are outsmarted and Parsons escapes. In the desert, he falls in with a reverend, his wife, and their group of missionaries, who hope to establish a church. After coming under attack by a tribe of Native Americans, Parsons strikes a deal: in exchange for the safe keeping of the missionaries, he takes the reverend's wife for himself. Ultimately a parable of Christian values, the film's narrative establishes and overcomes obstacles that test the virtue of men in the American West.