Good Morning, Let's Fight

Against the backdrop of the Typhoon Yolanda, a mother and her son struggle for survival and deal with absurdity of fate, sustained by the hope that they carry, and what is lost and gained.

After being forced into a marriage and enduring a humiliating work routine in the hands of his father-in-law, Zé Araújo becomes the mythical Ojuara, an unconventional hero devoted to debauchery.

A Brazilian father finds a worthy opponent when he meets his daughter's Argentine in-laws, and a trip to Bariloche becomes the stage for a fun international rivalry.

WORDS FROM HOME is a poetic documentary that explores the kinds of affection and identity in the portuguese language spoken in Brazil. Through migrants' stories and their reflections, the movie reveals how expressions, accents and memories form emotional and cultural bonds, showing how speaking connects us, differentiates us and, above all, brings us closer together.

Preciso Te Contar Uma Coisa

Zé Ramalho ao vivo is the first (and currently only) live album by Brazilian solo artist Zé Ramalho, apart from his live recorded performances with other artists. It was released in 2005.

A mother's unconditional love and care for her son and family is well portrayed in the film in a very sensitive way.

A Cincinnati college student breaks off his engagement to his wealthy fiancée after he falls in love with a backwoods Kentucky girl he meets at a party. She says she's 20, but he finds out she's 16 and married to an abusive husband.

Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky's The Rite of Spring is about to be performed. The revolutionary dissonances of Igor's work parallel Coco's radical ideas. She wants to democratize women's fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.

Failing in both his professional and personal lives, Saad decides to pursue his childhood dream of becoming a freestyle wrestler. The dream soon turns into a nightmare when he posts a clip of his auditions and the beating he takes. He meets a famous wrestling manager and a Pakistani coach who help him reenter the wrestling world.

As the local main sponsor, the Van As company has been given the opportunity to organize a prestigious cyclocross race. When a fire breaks out on the grounds the day before the event, Frans, the founder of Van As, suspects sabotage. He blows a fuse and, like Clint Eastwood, rises from his chair to take down the villain. But is everything as it seems?

The girl lends her lips to the boy who lends her a pair of eyes. Her lips become his voice as his eyes become her sight.

The Party Animal is a documentary-style comedy about a sex-starved man, Pondo Sinatra, a 26-year-old college student whom everyone agrees is doomed to die a virgin. Desperate to break what seems to be a cosmic curse, he tries ever more bizarre schemes to seduce one the sexy, scantily-clad women who seem to be everywhere, taunting him and enjoying his misery. Despite his best efforts, however, he is rejected everywhere, even at the local cathouse. When Pondo threatens to kill himself, Studley, his ladykilling best friend, tries to help him in his quest to "get him a little", as does Studley's mentor, a wise old janitor named Elbow.

Yannick moves to a small, quiet town to study cinema. One day when he fell off his bike, he knocked at the door of the Beaulieu residence so he could clean the blood off his hands. But Jacques Beaulieu and his family had other plans for Yannick. Beaulieu is a righteous psychopath and fanatic chess player who wants to rid the world of evil. And even though Ian has done nothing wrong, he is beaten, tortured and tormented before Beaulieu makes him an offer: win at chess and he is free to go. And so Ian is now a pawn in Beaulieu 's game. A game in which he will either lose his mind or his life.

The film tells the story of a mother struggling to make ends meet on her own. Rising unemployment in the country leads to the breakdown of many families. Saliha and Şevki, who live in a shanty town, are one such family. When Şevki's unemployment is compounded by gambling debts, things become even more difficult for the family. Unable to tolerate her husband's indifference, Saliha eventually kicks him out of the house. However, after working as a cleaner for a while, Saliha cannot make ends meet this way. She is forced to ask her old friend Emel, who works as a prostitute, for help.