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When a shooting star falls to earth, it longs to find a way back home to the sky.

"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

Ertan Ongun is German-Turkish, a child of migrants. He likes to refer to himself as Kanake. His buddies Mehdi and Kemal are of the same ilk. They do “business” on the street together, but because of their recklessness and sometimes great stupidity, they repeatedly offend both other criminals and the police. No problem for Ertan, because his motto is loyalty, quick money, and being a kanake. “Fuck and be fucked, that’s life!” … and that’s what he lives by one hundred percent.

15 years ago, Luiza decided to make a fresh start in Spain. She left her 3-year-old daughter Cristina in the care of her relatives and took off. When she returns to Romania, the woman learns some shocking truths that were kept hidden from her: Cristina ran away from home, is a drug addict and has a 2-year-old girl who lives in an orphanage. Overwhelmed by guilt, Luiza attempts to save her daughter

Clara and Hans are left-wing terrorists who have been sought by police for almost fifteen years. Their increasingly rebellious daughter Jeanne begins to pose a threat to their security when she falls in love with a boy she meets on the beach.

a young artist tired of his lonely life decides to walk through the city and reunite with someone from his past.

Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.

Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.

The story is set at the beginning of the 20th century in Sicily. Salvatore, a very poor farmer, and a widower, decides to emigrate to the US with all his family, including his old mother. Before they embark, they meet Lucy. She is supposed to be a British lady and wants to come back to the States. Lucy, or Luce as Salvatore calls her, for unknown reasons wants to marry someone before to arrive to Ellis Island in New York. Salvatore accepts the proposal. Once they arrive in Ellis Island they spend the quarantine period trying to pass the examinations to be admitted to the States. Tests are not so simple for poor farmers coming from Sicily. Their destiny is in the hands of the custom officers.

Karma, an international high school student from Sikkim struggles to fit in and hold onto his cultural identity when he is stuck at home with his host sibling, Alex.

Hyejung has lost her husband in an industrial accident and adds the settlement money to move into the new apartment called Dream Palace. She belatedly learns that the apartments are in an unsold state and have defects, but the residents who are worried that housing prices will fall try to silence Hyejung, who is protesting. Hyejung, who left the labor protest site in compromise with reality, has no choice but to start another protest to protect the apartment she bought at the cost of her husband′s life.

A woman in her daily life at home. A ballerina practicing her art. Realities mix in a remembrance of an irretrievable time.

World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?

A working class family move into a new condo purchased after 11 years of hard work. They throw a housewarming party to show his co-workers when overnight a heavy downpour creates an extremely deep sinkhole that engulfs the entire building.

Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.

A young man feels disconnected with his own mind and lets his life be guided by his past experiences. He tries to separate his internal worlds among good and bad, dragging his girlfriend into his delusion.

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

A man walks into a foreign neighborhood to look for a house. Then, the drastic summarization of the story and time will confuse the audience at first, but it brings suspense and a deeply lingering impression to the story. There is more that is unseen than visible. This intentional void prompts various emotional interpretations. During that time, what sort of moments and stories did the man and the house share? Since the guessing is left to the audience, we are left to remember, not the man’s, but our own personal memories. Hanyang villa or whatever else, that’s what houses do – they are where our memories dwell.

A quiet camcorder short about time spent at home

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