This documentary examines the existence of films in which people are murdered on camera and the culture surrounding them. Through interviews with former FBI Profilers, Cultural Academics, and Film Historians the documentary delves into the disturbing history and myth of Snuff Films. The FBI claims there is no evidence to prove the existence of Snuff and, therefore, Snuff Films are a myth. This documentary analyzes the relationships between war, cult films, serial killers and pornography to prove whether or not this pervasive myth is, in fact, reality.
Abby Russell, a beautiful, dedicated nurse with a sinister side, has a secret life in which she targets and punishes dishonest men.
Returning to the same medical school where they were test subjects years before, two twisted serial killers use brutal sex acts to kill off a group of med students.
Plot of Fear tells the story of a decadent weekend party full of orgies and drugs on the outskirts of Milan. Inspector Lomenzo investigates a series of bizarre murders, each linked by the fact that pages from the German children’s book "Shock-Headed Peter" have been left at the scene of the crime. As the bodies pile up, Lomenzo is guided by a model and a surveillance expert to a decadent club frequented by the rich and powerful.
A lonely middle-aged woman divides her time between her monotonous job at the supermarket and taking care of her disabled mother and estranged family members. The mysterious murder of the head cashier at the supermarket, sends her on a journey into the depths of her repressed desire revealing her deep longing for warmth and human connection.
A murderous drug addict driven insane by the demonic voice of his evil ventriloquist dummy sets out on a gore-soaked killing spree in this independent shocker from director Ron Atkins. Insanity is calling and Harry Russo is more than happy to answer by slicing, dicing, filleting and splaying anyone who gets in the way of his quest to achieve a state of complete mental chaos. Harry is not alone on his journey of destruction though, and as his villainous ventriloquist dummy offering a bit of immoral support, the stage is set for some serious bloodletting!
When a lonely man finds out the love of his life has a conjoined twin, who happens to be a serial killer, he must take drastic measures to keep his love life intact while keeping himself out of big trouble.
She Wolf is a serial killer who traps her men in the subway in Buenos Aires. She seduces, has sex with them and kills them. But one of those men is a police officer who is investigating her crimes. Running away from him she meets a dealer with whom she stars a relationship. This romance unravels a war between her three personalities: the monster woman, the sensual woman and the human woman who can still love.
The third installment in one of the most disturbing shockumentary series ever made, and it gets even more sick! Includes an autopsy of an unfortunately real dead infant, a cooking tutorial on road-kill, a walk-through of an abandoned house cleared after the homicide of an exchange-student, and a video of re-enactments of workplace incidents.
A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)
A patient at a private clinic for sufferers of sexual dysfunction begins a tentative affair with one of the other patients while a killer stalks the institution.
Fernanda, a radio DJ, has a show in which she tells gruesome and gory horror stories about satanic rituals and sex murders. However, when bodies start turning up around town killed in exactly the way Fernanda describes on her show, it looks like someone or some group is using her show to get ideas.
Jennifer, a gorgeous, seductive cheerleader takes evil to a whole new level after she's possessed by a sinister demon. Now it's up to her best friend to stop Jennifer's reign of terror before it's too late.
Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his "erotic" books and its power so affects her that begins to find herself sexually attracted to her stepfather. He notices this, and eventually brings her into his dark world of sexual perversion and murder.
Some people say love is sex, sex is love. While others say sex is a four letter word. Sylvia is a love columnist who is writing a book on love stories. On a warm summer night she has invited six friends to tell true stories of their intimate love and sexual experiences. During the course of the evening the boundaries between love, sex and friendship narrow. People are exposed, fears are shared, friendships tested and relationships are destroyed and new ones formed. SEX IS A FOUR LETTER WORD is a contemporary film about love in the 1990s.
Social experiment hosted by journalist and presenter Ben Zand in which a group of people come together to try to understand what constitutes sexual harassment.
The farce is about a left-wing British minister who has arranged a meeting with his mistress in a hotel room in London. His secretary is assigned to entertain the minister's wife in the meantime. The secretary messes up most of the time and ends up in bed with the minister's wife herself. A choleric hotel manager and a curious waiter, as well as a number of other characters, accelerate the course of events.
Two detectives team up to investigate several murders that they think are linked together. When the latest murder and a mission person report happen on the same day they question if they have a copy cat on their hands.
A couple takes advantage of the fact that her parents are having sex in the room upstairs so they can do the same in the TV room.
Learning to love her luscious self over the past forty years, comedian Margaret Cho realized that the eye of the beholder doesn't hold all the power when it comes to beauty. Our tastes may be groomed by the media, but how we feel about how we look brings our self-image into focus. Armed with something more potent than lip gloss - a mouth so shocking and raunchy it should be stamped with a warning - Cho toured America with her manifesto: "This show is really about how we should feel beautiful," says Cho. "When you feel beautiful, you're going to have more of a willingness to use your voice to speak." Shot at the Long Beach Terrace Theater, Cho's latest stand-up concert film, Beautiful, explores the good, bad, and downright ugly in beauty, and the unattractive politicians and marketers who shape our world.