Venezuela es un Desorden

Falling in Between Live is the fourth live album by American band Toto, released in 2007. It was recorded live at Le Zénith, Paris, France. It's the first Toto record to feature bassist Leland Sklar, temporarily replacing Mike Porcaro due to a hand injury and second record featuring keyboardist Greg Phillinganes, replacing David Paich who has retired from touring, but is still an active member in the studio.

One of pop music's truly innovative bands, The Police were one of the most pervasive musical influences of the 1980s. Led by charismatic singer Sting, the band cultivated an artful fusion of rock and reggae that was defined by Stewart Copeland's minimalist drumming. EVERY BREATH YOU TAKE contains videos from the band's inception, including such classics as "Roxanne," "So Lonely," and the newly created clip "Don't Stand So Close to Me." The visual quality of "Every Breath You Take," which was filmed in black and white, is exceptional.

"A riveting, emotionally charged rock doc like none before it. This decade long journal follows the band and phoenix-like implosion and spiritual immersion of their front-man, who was born with a genius like gift to create hit music."

Die Helene Fischer Show 2014

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.

Although Gainsbourg and Birkin had appeared in a string of films since their magnetic collision in Pierre Grimblat’s Slogan, Melody was a bit of diversion from their collaborations since it’s a series of interwoven videos inspired by the Gainsbourgalbum. For '71 it’s a novel concept to bring visual life to an LP, but even more surprising are the short film’s amazing visuals that director Averty crafted using a wealth of video filters, overlays, camera movements and chroma key effects. Averty applies these in tandem with the increasing tone of Gainsbourg’s songs, which more or less chronicle an older man's affair with a young girl. Each song is comprised of steady, sometimes brooding poetic delivery, with refrains timed to the phrase repeats of each song, while Alan Parker’s buzzing guitar accompanies and wiggles around Gainsbourg’s resonant voice. The bass is fat and groovy, the drums easy but steady, and the periodic use of strings or rich vibrato makes this short a sultry little gem.

Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.

Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.

Home videos, TV appearances and performances from the King's early films (including Love Me Tender, Loving You, Jailhouse Rock, and King Creole) tell the story of Elvis Presley's 1950s movie career in this fascinating documentary. Also included are interviews with co-stars and remastered songs such as "Anyplace Is Paradise," "Money Honey," "Blue Suede Shoes," "Heartbreak Hotel" and "Long Tall Sally."

An entertainer in Rio impersonates a wealthy aristocrat. When the aristocrat's wife asks him to carry the impersonation further, complications ensue.

Features a concert of "BAND-MAID WORLD DOMINATION TOUR - Shinka" held by BAND-MAID at LINE CUBE SHIBUYA on February 14, 2020

Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.

The Suburbans, a one-hit-wonder new wave band from the '80s, reunite at their bassist's wedding, where a promising young record executive sees the ensemble perform. When she encourages them to launch a revival, the group must weigh their dreams of fame and fortune against the reality of their relatively quiet domestic lives.

In View: The Best Of R.E.M. 1988–2003 is a DVD featuring videos by the rock band R.E.M. during 1988–2003, released as a companion to the Warner Bros. compilation In Time: The Best of R.E.M. 1988-2003. All but two of the songs included on the audio CD made the DVD—the exceptions being "All the Right Friends" (which had no official music video) and "Animal" (the video not having been shot until early 2004.)

KylieFever2002 is the seventh concert tour by Australian pop singer Kylie Minogue, in support of her eighth studio album, Fever.

MTV Unplugged is a 2000 Grammy Award-winning live MTV Unplugged acoustic performance by Colombian born musician Shakira released in 2000 as an album and in 2002 as a DVD. Recorded in August, 1999 in New York City, New York, it is rated as one of her best-ever live performances and paved the way for her successful English cross-over recording Laundry Service (2001). It was a critically acclaimed by American critics. in 2005 album was re-issued to promote the sales of Oral Fixation Vol. 2. To date, the album has sold over 6 million copies.

A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.

There's no definitive separation as long as there is memory'. Since the Tsunami hit the northern part of Japan's coast in 2011, more than 20 thousand people lost their lives, and many others are still missing. As time went by the families of the victims abandoned all hope and stopped looking for their loved ones. However, this is the story of two men that are still fully committed to their respective searching activities. Even though their backgrounds are extremely different, both share a strong force of will and firmly wish to keep alive the memories of the ones that went missing. Perseverance is what pushed an ex-convict to look for redemption by helping the victims' families to find the remains of their loved ones, and perseverance is what brought a bus driver to start to dive in order to search for his wife.

Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.