“Sonic artist” Chris Cree Brown discusses composing with new media and how he orchestrates particular sounds into formal compositional structures. Some sounds are made instrumentally, while others are recorded from his environment. In 1980 few classically-trained musicians in New Zealand experimented with synthesized sound and the gloriously large and sturdy equipment Brown uses to create his music will be of sure anthropological interest to many musos. The documentary was recorded with no script to capture the true art of creation.
When an airborne virus infects the entire population on Earth, one secret organization discovers an extraordinary man, whose immune system can help them preserve the human kind.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
A metalhead gets passed down a satanic guitar that riffs to shreds.
In 1977, the Voyager probe leaves for the galaxy with a message in Spanish recorded in the RNE (Spanish National Radio Studio). Almost 50 years later and sick with Alzheimer's, Carmen is facing being transferred from her home in her town to a residence in the city.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
"Swing cat" Louis Prima and his jazz quartette play songs and accompany featured singers and dancers.
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
Los Angeles 2066AD: The Pleasure-U BioDrone, Kate Shaw's only assistant, has contracted an undiagnosed mental-disease.
Thanks to a drug she took when she was seventeen, moments from various points in Jodi's life become intertwined, effectively letting her experience two moments at once. Stream snaps back and forth through three phases of Jodi's life: her past as an intelligent but headstrong teen; her present in a psychiatric facility, and her future as an adult clinging to a normal life after years of tribulation. The story unfolds in and around New York City, as we travel with Jodi from the wealthy suburban home of her youth to the nebulous world of an institution, and the unforgiving streets of the South Bronx.
HUBO (KHR-3) is a walking humanoid robot with a life-size bipedal frame, developed by the KAIST (Korea Advanced Institute of Science and Technology) and was revealed January, 2005. HUBO, short form for "humanoid robot," has been paving the road in realizing a vision of fantasy to the real world.
A Story Ark collaboration by Mad Tabby Films in association with Self Films.
A music documentary about Olivier Messiaen's transcendent masterpiece, that he composed in a World War II prison camp, and debuted there on January 15, 1941. This film was completed on the 75th Anniversary of that historic premiere, and features "The President's Own" United States Marine Band Ensemble performing in rehearsal and at The Phillips Collection, in Washington, D.C. (Note by H. Paul Moon)
Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
A girl needs a friend. A special box could materialize it for her.
A man haunted by his past has to go back through his memories to find an element. But things don't work out as planned.
Tormenta
Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.
A brother does what he can to save his sister as a group of mercenaries try to take control of their space craft.
Sometime in the not so distant future, where everyone speaks through emojis, lives a 13-year-old boy called Pwyll.