Capriccio Italien

Famed conductor Herbert Von Karajan leads the Berlin Philharmonic in a performance of what may be Vivaldi's best-known composition -- "The Four Seasons" -- in this sparkling video. Recorded in 1987 at the Chamber Music Hall, this concert features Anne-Sophie Mutter as a guest violin soloist.

The dark world of Tchaikovsky’s penultimate operatic masterpiece Queen of Spades hinges on obsession, greed, and a secret in winning at cards… In 2005, the Opéra Bastille mounted a compelling production featuring Vladimir Galouzine as the mad lover Hermann, Hasmik Papian as the doomed Lisa, and Irina Bogatcheva as the mysterious Comtesse.

The documentary follows Chilly Gonzales from his native Canada to late '90s underground Berlin, and via Paris to the world's great philharmonic halls. Diving deep into the dichotomy of Gonzales' stage persona, where self-doubt and megalomania are just two sides of the same coin.

Neagle stars as Frances Baring, a socialite widow attempting to keep her late husband's symphony orchestra going. Reluctantly she enlists the help of a young pop singer (Frankie Vaughan) who has fallen for Baring's daughter Joanna, played by a young Janette Scott.

An aspiring conductor finds himself in his dream position, conducting an orchestra that doesn't exist.

Hudební jaro

Vivaldi, Mozart, and Beethoven serve up an evening of glittering virtuosity and transcendent melody in this unusual, all-concerto program. Filmed at Tel Aviv’s Mann Auditorium in July 2015. Zubin Mehta leads the Israel Philharmonic Orchestra as they accompany three very different 18th-century concertos performed respectively by trumpeters Ram Oren and Yigal Meltzer, clarinettist Ron Selka, and pianist Khatia Buniatishvili. Set-List: Antonio Vivaldi, Concerto for 2 Trumpets in C Major, RV 537 / Wolfgang Amadeus Mozart, Clarinet Concerto in A Major, K. 622 / Ludwig van Beethoven, Piano Concerto No. 1 in C Major, Op. 15.

To celebrate the 30th anniversary of the "Sangokushi" series, a concert was held at MUZA Kawasaki Symphony Hall on Saturday, April 16, 2016. The Kanagawa Philharmonic Orchestra, under the baton of conductor Kosuke Yamashita, presented the first full orchestra concert of the "Sangokushi" series, allowing the audience to enjoy the masterpieces of the series.

A group of musicians is determined to appear on a radio program.

A. Dvořák: Koncert pro housle a orchestr a moll, op. 53

Zigeunerliebe

G. F. Händel: Koncert B dur pro varhany a orchestr

The unique space of Diana's Temple in the Lednice-Valtice area comes alive with a concert by the Talich Quartet thanks to the Lednice-Valtice Music Festival program. The recording of this exceptional musical program was made in 2022 on the occasion of the 60th anniversary of this renowned string quartet, whose composition has changed many times, but whose name in honor of the important Czech conductor has remained. The concert for the Lednice-Valtice Music Festival will feature Jan Talich, Roman Patočka, Radim Sedmidubský, and Petr Prause. The concert utilizes and further develops the genius loci of Diana's Temple, a romantic structure paraphrasing Roman triumphal arches, also known as Rendez-vous.

José Cura a Slovenská filharmónia

Janáček's three-act opera Katya Kabanova, staged by Barrie Kosky and staged at the Felsenreitschule by Czech conductor Jakub Hrůša with an international cast of soloists, was performed on August 7 at the 2022 Salzburg Festival. The opera is based on the play The Storm by Aleksandr Ostrovsky. Set in a small Russian town, the story revolves around Káta, who is trapped in a loveless marriage to an abusive man named Boris. When she meets and falls in love with a young man named Vána Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káta to confess her infidelity in front of the entire town. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Stage director Barrie Kosky creates an intimate but impressive setting in the magnificent Felsenreitschule.

Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.

A leading Czech chamber ensemble performs compositions by H. Krása, E. Schulhoff, and A. Dvořák on the occasion of a memorial event commemorating the deportation of Jews from Prague's Holešovice railway station, Praha Bubny, during World War II... The Memorial of Silence is a project that has been in development for several years at the Praha Bubny railway station. This place of remembrance, which witnessed the deportation of nearly 50,000 Prague citizens of Jewish origin, is thus awakening to new significance. In addition to developing a project to convert the railway station into a place of remembrance, an educational and communication center, the Memorial of Silence team has been preparing dozens of seasonal events for several years. Their aim is to find a language for public communication for a modern memorial that seeks to commemorate war stories and events without false pathos.

An indispensable symbol of Christmas. J. J. Ryba's most popular composition performed by A. Poláčková, V. Hajnová, P. Nekoranec, J. Šťáva, the En arché chamber choir, the Česká píseň mixed choir, and the Czech Philharmonic Orchestra conducted by J. Bělohlávek. The Czech Christmas Mass, also known as the "Hey, Master" Mass, in Latin Missa solemnis Festis Nativitatis D. J. Ch. acomodata in linguam bohemicam musicam – que redacta per Jac. Joa. Ryba, is a Czech-language church composition by this year's jubilee celebrant Jakub Jan Ryba (1765–1815). Although it is structured in the same way as a Latin musical mass with parts of the ordinary (Kyrie, Gloria, etc.), it is a pastoral play applied to traditional liturgy; the story tells of the annunciation of Christ's birth and the arrival of the shepherds at the manger. The Czech Christmas Mass has a purely pastoral character, set in a Czech environment.

Slovenská filharmónia v Dubaji

After more than 60 years, the uncrowned king of 20th century pianists returned to his freedom-torn homeland to perform his swan song in a piano recital. In the mid-1980s, a breathtaking concert took place in Moscow that many still recall with emotion. The great Ukrainian-American pianist Vladimir Horowitz performed there for the first time in more than half a century. At that time, the border between East and West was impassable. The Cold War was in full swing. The two superpowers, the US and the Soviet Union, considered each other enemies. The race to produce atomic weapons threatened everyone's lives. The legendary pianist Vladimir Horowitz, then eighty-two years old, began one evening discussing with his concert agent Peter Gelb what he dreamed and wished for. One of the things was to look back to Russia.