A father joins his son as he searches for Heaven in the night's sky, each hoping to catch a glimpse of his own grandmother.
Former best friends Leba and Maria reunite at their old school. As they explore the empty halls, they revisit their shared past and confront unresolved emotions, all centered around a purple chair.
A young woman comes home one night and parks her car in the garage. Suddenly a blackout happens and she is trapped in the dark, but she is not alone...
Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.
An online 'livecaster' with a dangerous brand has a crisis of conscience over her volatile career choice in a future world where jobs are limited and conflict is currency.
Aleks is a quiet fencer at a new school who tries to win a fencing tournament while dealing with a flirtatious girl and her aggressive brother.
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).
A couple checks into a bed and breakfast and are soon put off as their host seems a little unhinged.
In the worst part of town, a mysterious presence obstructs Joan from leaving the parking lot.
A bubbly young girl meets an eccentric art teacher who encourages her to draw freely and embrace her creativity. But as the crayons wear down the cheerful coloring session grows uneasy hinting at something far darker lurking beneath the paper.
In a small English village everyone suddenly falls unconscious. When they awake every woman of child bearing age is pregnant. The resulting children have the same strange blond hair, eyes and a strong connection to each other.
Abel doesn't accept his step-father's presence and tries to persuade his mother to leave him, only she doesn't hear what he is trying to say. Abel gets caught up by his imagination to avoid having to deal a reality he will have to face.
Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.
Karin and Peter have been married for almost 15 years. From the outside, they seem happy, but behind the closed doors of the house there is a repression. Then the dog Orion steps into their lives ...
“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.
A short story of two strangers meeting in a train journey, not knowing that something stranger is coming their way.
When Violet inherits a cabin by the lake after the death of her father she heads up to the cottage to take one more look. Unfortunately for Violet someone is waiting for her and this new guest is about to plunge Violet into a terrifying nightmare that goes deeper than she could have ever imagined.
Isabelle’s third date with Jason goes from promising to disastrous in Astoria, where recent subway renovations cost millions of tax dollars but kept the stations inaccessible.
Humans encounter various monsters, but each encounter has a consequence.
In the course of one afternoon, Raphael's paradise turns into a spiral of guilt and paranoia.