Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Grandma and Grandpa, a couple of old people are trying to hold up the retirement home's cafeteria for a fistful of Toffees.
A nightwatchman who works at a pesticide plant manipulates chemicals (of which he treats a strange garden of marrow-like vines in his apartment) , causing evolution to accelerate, in this short illustrating the harmful effects of human interference with nature.
An allegorical tale of a couple who attempt to renew their dying relationship by plugging directly into recordings of their memories.
Having suffered the loss of their plane, three pilots inexplicably find themselves stranded in the middle of the desert. While following the perilous and unpredictable course that will ultimately lead them home, they fall prey to visions and must confront the siren call of their own strange fantasies. With Pilots on the Way Home, Priit and Olga Pärn (Divers in the Rain) have created a new, satirical meditation on male-female relations. The film tackles masculinity and the male psyche with the same pointed sense of the absurd that has marked Priit Pärn's previous films. Pilots on the Way Home is also a journey through time and space, and to the universal sources of artistic eroticism. Olga Pärn is a master of the art of animating sand, giving Priit Pärn's unique line drawings a warm and subtle texture reminiscent of etching. Her work is perfectly matched to the impassioned beats of this tale.
Une visite au musée
The Letter tells the true story of 11-year-old Andrè and his inspiration to pursue a ballet career.
Kytarista
Ingmar Bergman's "Cries and Whispers" retold in a single minute.
In a dismal and decadent world, a little Saint cares for various beings with suicidal tendencies. A strange visit warns the Saint not to interfere with the supreme order of things, whereby the natural law of martyrs takes precedence over kindness and affection
Behind-the-scenes documentary of one morning on the set of "Gerry" directed by Gus Van Sant.
This short film examines the origins of several superstitions including crossing your fingers, knocking on wood, rabbit's feet, and breaking champagne bottles to christen ships, plus the role of superstitions in the Flying Dutchman tale.
The story of Alice Herz-Sommer, a German-speaking Jewish pianist from Prague who was, at her death, the world's oldest Holocaust survivor. She discusses the importance of music, laughter, and how to have an optimistic outlook on life.
Documentary about the illegal mourning tradition of head slashing in the Azerbaijan region of northern Iran. In the film, Panahi documented a mourning ceremony for the third Shi'ite Imam, Imam Hossein, where people hit their heads with knives until they bled. Panahi had to shoot in secret and the film was banned for several years.
In an uncertain time and place, a group of animated shy rock cubes come out from the anonymity of their quarry to mate. Powerful and indescribable forces made them move towards others in the sky, in a sort of dance that attracts some cubes to others, until those compatible latch on each other and produce a fresh new rock cube.
My name is a “cockroach”. I was called that from childhood.
An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.
Tempête dans une chambre à coucher
A mother has to take care of her wild baby.
Primos is a story of binaries, leaded by fantastic apes. A tale of two visions of one place. Matter and spirit come together to transform the nature of these apes.