Tejas

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.

When hot shot, Wall Street dealmaker Jai thinks of putting some pleasure into his 48 hour business trip to Mumbai, Sahil, his young, music-producer friend, drops everything, including his reckless boyfriend Alex, to help him execute the perfect getaway. Hiking the hills and canyons of Maharashtra, amidst half-attempted conversations and sudden silences, business calls and old jokes, the friends discover there is more than just time-zones keeping them apart. Things take another turn when Alex shows up with a new male-companion at his side, throwing up old conflicts and bringing unanswered questions to the fore.

Kartik & Aman’s relationship is tested when one of them has a fling which leads to a domestic spat. Kartik’s parents’ relationship breaks apart when Damodar and Vasudha have a tiff. Will these two couples ever be able to resolve their differences? Will their relationships stand the test of time? Kuch Sapney Apne is a sensitive heartwarming film about relationships, queer or not, and what happens when uncomfortable truths challenge relationships.

Two contemporary and creative music teachers, Mary D'Cruz and Manoj who provide a glimpse of the rich culture and refinement of music and theater to students who are driven by an unimaginative educational system in the name of Math, Science and Technology.

A story of belonging and acceptance, identity and family told through courageous, queer women choose to embrace love that exists beyond their personal beliefs and social moralities.

After arresting a drug dealer during an undercover operation, police officer Yeshwant Lohar is framed for murder and imprisoned by his corrupt supervisor, Salim Shaikh, who is involved in distributing narcotics. Determined to prove her husband's innocence, wife Ragini resists Salim's attempts to intimidate or bribe her. Salim then releases false photos of Ragini having an affair with police officer Atul, shaking Yeshwant's faith in his wife.

Two feuding neighbouring families are brought together to celebrate the wedding anniversary of Vishnupratap Singh (Vikram Gokhale) and his wife (Farida Jalal), much to the dislike of Rudra Pratap (Sharad Kapoor). During this get together Abhayendra Singh (Fardeen Khan) falls in love with Mangala Solanki (Richa Pallod). Abhayendra comes to know of the background of the two families' feud, and makes attempts to reconcile the two families - with disastrous results.

A prosperous young Indian man falls in love with his servant, a widow with the dream of becoming a fashion designer.

Mansi, played by Aruna Irani the elder sister has to take up professional singing after her father's death and to support the family. The film focuses mainly on the female characters and traces how the younger sibling Bansi played by Shabana Azmi regains her identity.

Mohan Sharma (Tarun Bose) is a workaholic, whose life changes dramatically after his wife dies upon giving birth to their daughter Uma (Sharmila Tagore).

Devata

We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…

Duped and sold to a brothel, a young woman fearlessly reclaims her power, using underworld connections to preside over the world she was once a pawn in.

Two men from South Asia meet on a New York subway train. One is seeking the American dream and in the process has abandoned his family and culture. The other, now disillusioned by material dreams of success, yearns for meaning and memories from his childhood. Prashant Bhargava’s award-winning short film was described as “an elegant and poetic evocation of immigrant angst, memory and haunted spirituality” by the Village Voice.

A policeman adopts the son of a bandit. A misunderstanding leads the officer's own biological son to believe he is the bandit's son and he takes up a secret life of crime; meanwhile, the adopted son becomes an officer of the law.

A tale of near Biblical proportions, telling the story of Dayavan, a heroic do-gooder who dedicates his life to helping those less fortunate then himself.

A cop leaves the police force due to undue criticism. He tries to live a quiet life with his family, but the anti-social elements force him to re-join the police force.

In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.

About the modern girl of India. Fashion, fast cars, luxury and sexual freedom.