Wounded Civil War soldier, John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Like many Native families, Lena Mahikan grew up in the cycle of abuse. Her father, a residential school survivor, was an alcoholic until he killed himself when Lena was 10. Her mother, only 14 years her senior, turned to the slots. By the time Lena was 15, she was pregnant and, before giving birth, was kicked to the curb by her mom. The cycle continues and Lena is now watching helplessly as her own daughter, Peeka, spirals out of control, landing herself in the hospital following a drug overdose. As a final attempt at survival, Lena decides to return home and face her own mother and a past she’s desperate to escape.
1492: Conquest of Paradise depicts Christopher Columbus’ discovery of The New World and his effect on the indigenous people.
In 1937, a young First Nations (Canadian native) girl named Ashtecome is kidnapped along with several other children from a village as part of a deliberate Canadian policy to force First Nations children to abandon their culture in order to be assimilated into white Canadian/British society. She is taken to a boarding school where she is forced to adopt Western Euro-centric ways and learn English, often under brutal treatment. Only one sympathetic white teacher who is more and more repelled by this bigotry offers her any help from among the staff. That, with her force of will, Ashtecome (forced to take the name Amelia) is determined to hold on to her identity and that of her siblings, who were also abducted.
The Cherokee Word for Water is a feature-length motion picture that tells the story of the work that led Wilma Mankiller to become the first modern female Chief of the Cherokee Nation. Set in the early 1980s, The Cherokee Word for Water begins in the homes of a small town in rural Oklahoma where many houses lack running water and others are little more than shacks. The movie is told from the perspective of Wilma Mankiller and full-blood Cherokee organizer Charlie Soap who join forces to battle opposition and build a 16-mile waterline system using a community of volunteers. In the process, they inspire the townspeople to trust each other, to trust their way of thinking, and to spark a reawakening of the universal indigenous values of reciprocity and interconnectedness. This project also inspired a self-help movement in Indian Country that continues to this day. The movie is dedicated to Wilma Mankiller’s vision, compassion and incredible grace.
Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.
Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.
A down-on-his-luck American Indian recently released from jail is offered the chance to "star" as the victim of a snuff film, the resulting pay of which could greatly help his poverty stricken family.
Young Native American man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family, and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains.
Henry Hart is a young gay artist living in New York City. When his grandfather has a stroke, Henry puts his career on hold and returns home to the small town of Big Eden, Montana, to care for him. While there, Henry hopes to strike up a romance with Dean Stewart, his high-school best friend for whom he still has feelings. But he's surprised when he finds that Pike, a quiet Native American who owns the local general store, may have a crush on him.
A young half-breed boy, the son of a hockey player and an Indian woman, is adopted by a Jewish shopkeeper, but finds himself torn between the different cultures with which he comes into contact.
The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.
Award-winning documentary, Sitting Bull: A Stone in My Heart, makes extensive use of Sitting Bull’s own words, giving the viewer an intimate portrait of one of America’s legendary figures in all his complexities as a leader of the great Sioux Nation: warrior, spiritual leader and skilled diplomat. Sitting Bull’s words, as portrayed by Adam Fortunate Eagle, dominate this story. Augmented by a narrator’s historical perspective, over six-hundred historical photographs and images, and a compelling original music score, the film brings to life the little-known human side of Sitting Bull as well as the story of a great man’s struggle to maintain his people’s way of life against an ever-expanding westward movement of white settlers. It is a powerful cinematic journey into the life and spirit of a legendary figure of whom people have often heard but don’t really know.
Maverick is a gambler who would rather con someone than fight them, and needs an additional three thousand dollars in order to enter a winner-takes-all poker game that begins in a few days, so he joins forces with a woman gambler with a marvellous southern accent, and the two try and enter the game.
In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.
In the Old West, a 17-year-old Scottish boy teams up with a mysterious gunman to find the woman with whom he is infatuated.
The neighbors of a frontier family turn on them when it is suspected that their beloved adopted daughter was stolen from the Kiowa tribe.
A legendary Native American-hating Army captain nearing retirement in 1892 is given one last assignment: to escort a Cheyenne chief and his family through dangerous territory back to his Montana reservation.
Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.
Joe Enders is a gung-ho Marine assigned to protect a "windtalker" - one of several Navajo Indians who were used to relay messages during World War II because their spoken language was indecipherable to Japanese code breakers.