Daivaar

Pipanya” by Shubham Ghatge reiterates the social, economical and personal struggles and hardships faced by folk artistes from rural Maharashtra. Pipanya is a folk artiste who has played Pipani his whole life however his life along with many other folk artistes is increasingly threatened by a fall in demand due to the rise of other kinds of contemporary music systems in traditional occasions. This film however sheds light on the Artiste Pension Schemes but highlights it’s fallacies due to inefficient bureaucracy.

Laden with undertones of an insatiably innocent grief, this film follows the journey of a child protagonist into the darknesses of life. Centering around their first encounter with something as grave as death, it seeks to pose questions onto the varied mythologies of death created by humans. While death remains to be a natural cycle, the film's psychological interventions make for noteworthy filmmaking.

Vimal Pandey and Sandeep Mishra spews a captivating tale with “ The Holy Fish” that reflects Indian lore and beliefs. This film features two interconnected stories that compliments each other – an old man rising from his death bed, realising Moksha as his ultimate desire and begins search for a fish depicted in folklore and the next story speaks of a newly married bride facing pain of being away from her husband, wants to go to the same for materialistic purpose. “The Holy Fish” is a matrix of desire, material cravings, penitence along with beliefs and scepticism. Shot in the town of Allahabad this film evokes an authenticity to its theme and is a worthy watch.

Beauty of Life”, a beautiful yet brave documentary presented by Ashish Verma on the lives of four acid attack survivors impart that as a society how we need to evolve and stand with these survivors to eradicate the social stigmas, humiliation, gender discrimination and other hindrances, faced by these brave warriors in their day-to-day life. The film also depicts the dolour of these warriors in dealing with the rest of the world and finally how they settled contendedly in their respective married lives.

Director Sidharth Chauhan's craving to dive into the world of religion and unravel it’s mysteries lead him to create an esoteric yet absorbing film “The Infinite Space”. The film deals with a young Buddhist monk who dares to believe in a secret which was revealed years ago in an old scripture and strange events follow after then. This film is truly an imaginary wilderness that proposes dilemma, conflict of mind and unrealistic thinking. FEATURING EXCLUSIVELY ON CINEMAPRENEUR

Susraal

Police officer Burhan arrests Recep, a member of a drug trafficking gang. Recep is released after a false witness contradicts Burhan’s evidence, leading to Burhan’s reassignment to a small village. There, he becomes romantically involved with Sevtap, a belly dancer he knew from the capital.

Hasan returns to his village from Germany with his wife Lena, hoping to start a new life, but tragedy strikes when a gang brutally murders his mother and assaults his wife, who dies from the trauma.

The film tells the story of Nermin and Refik's love. Nermin grows up with Feriha, whom her father adopted. After a successful school career, Nermin starts working as a flight attendant. She and Refik, the pilot of the plane she works on, fall in love quickly and decide to get married. One day, when Nermin returns home, she sees her father with Feriha. Shortly thereafter, her father and Feriha get married. However, Muammer Bey dies. It falls to Nermin and Refik to comfort Feriha, who is left alone after her husband's death. Despite their kind intentions, Feriha has another agenda. Having seized all of Muammer Bey's assets, Feriha will also try to get her hands on Refik.

The madness after a couple exchanges their mobile phones and begins to unearth bitter truth about each other.

Nahi Abhi Nahi

Film-lover Curtis, 22, leaves his home in the Midwest USA for the first time, arriving in Paris with a single goal in mind: meet his favorite filmmaker, Pierre Bertrand, a once-great cineaste. What follows is a scavenger hunt through Paris that brings unexpected treasure.

Sofiane, the son of a former Algerian diplomat, has travelled a lot. Having moved to Lyon for his studies, he is the victim of an administrative decision and lives under constant threat of deportation. In the hope of regularising his situation, he agrees to work for a Muslim funeral parlour. Between parties, encounters and his job, Sofiane finds himself on a journey of initiation that will lead him to build his own identity and gradually move towards adulthood.

Through a series of hypnotic interviews with Dr. Kelly Robertson, Declan reluctantly revisits the traumatic events that led to the fateful night. As memories resurface, we witness their tumultuous childhood marked by countless encounters with the law. Unraveling in flashbacks, we see the McGuire siblings navigating a world of petty crimes and rebellion, laughing off the consequences that seemed inevitable. However, the story takes an unexpected turn when a pandemic-induced lockdown thrusts them into a whirlwind of desperation and fear. On a desolate country road, they encounter Ian Hamilton, a figure from their past who only adds to the tension.

A sequel to Border (1997).

A Tamil romantic drama.

A Hindi reporter struggles with a deadly fact when a train full of Karsewaks is set ablaze in Godhra. Years later, he is asked to help expose the Sabarmati Incident backed by a buried report.