as close as possible / as far as possible

The story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

Dark blood red slow shifting tones (often embedded in dark) / (often shot-thru with parallel wave-like lines) composed of all previous shapes and flowers as if trying, linearly, to evolve a glyph-script. Preserved by the Academy Film Archive in 2013.

In the course of a real estate search a poem is produced. Images play around this drift between properties.

An experimental movie based on a poem of the French writer and director Jean Cocteau about a servant who fantasises about killing the lady of the house.

Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

Born in 1948, Peter Street struggled at school with epilepsy and illiteracy in Bolton, Lancashire, and, later in life, as a slaughterman, a gravedigger and a war poet. At 66 years old he was then diagnosed with autism, and his world changed forever.

Following a tumultuous breakup, a young college student tries to win back her ex-girlfriend by performing in a confessional-style poetry slam.

Lauren Thomas is turning 40 and no one is more excited than her. She is married to Andrew, an amazing husband, a true provider and father. Andrew's brother, Franklin, is in a wheelchair due to a military attack. His wife, Mahogany, is currently pregnant with their first child. The two couples, along with three other couples and a few friends, are celebrating Lauren's birthday during the holidays since she is a Christmas baby. However, once the other women grow tired of Lauren bragging about her success, even though she is a stay-at-home wife, attitudes and snide comments take control. Over the course of the evening, things escalate and the entire cast gradually gets involved in the free-for-all until everything hits the proverbial fan.

SONG 1: Portrait of a lady (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONG 8: Sea Creatures. The Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1963 to 1969.

SONG 9: Wedding source and substance (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONG 11: Fires, windows, an insect, a lyre of rain scratches (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONG 12: Verticals and shadows caught in glass traps (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Experimental feature about two young men trying to make a film.

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.