Nuxalk Radio

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

There are 36 days left before Russia's full-scale military invasion of Ukraine. On another Baptism of Christ holiday an ice hole was made in a pond in a bedroom suburb of Kyiv. Church bells are heard on the shore, people are undressing, standing in line... In this short observational film, closeups of people of different ages, lines of naked bodies and short conversations tell us about the fragility of life, the contradictions of human faith and the joy of existence.

Video art of sculpture is the real life story of Rumi (Mevlana) and Shams Tabrizi. Rumi and Shams are well known international poets of Persian language. One day, Rumi invites Shams Tabrizi to his house, Shams throws the book into the pool of water and Rumi is worried and Shams returns the book to Rumi without any trace of water. The lost half of the sculpture in the film is a representation of the same concept. "Sculpture" has won more than 69 International Awards, third place (semi-final) in called Flickers' Rhode Island International Film Festival (Academy Award ® Qualifying, BAFTA Qualifying, Canadian Screen Award Qualifying) , Winner of the 2025 Jury Award for Best Short Documentary – Toronto International Nollywood Film Festival (TINFF) – A Canadian Screen Award-Qualifying Festival , Crown Point International Film Festival(Chicago),(US),Gold Star Movie Awards (US),One-Reeler Short Film Competition (US),Accolade Competition (US), and many other events.

They are the secret protagonists of world history: dogs that became famous alongside powerful masters and mistresses. A four-legged friend helps to cultivate an image and can, depending on the calculations, make its owner appear sympathetic or threatening. In England, however, prime ministers have to get used to a cat...

This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.

A short documentary on how people view art and its value in today's society.

A collection of recollections and opinions of and about Glenn Gould, interspersed with excerpts of archive footage of the great Canadian pianist speaking and playing.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

"The Making of Prora" takes you behind the scenes of Stéphane Riethauser's award-winning short film "PRORA" (15 awards and 120 festivals worldwide) in this stunning location on Rügen Island along the Baltic Sea in Germany. Did Tom Gramenz really drop his pants to get the part? Did he turn gay after kissing Swen Gippa in front of the camera? How were the aerial shots made? Follow director Stéphane Riethauser's backstage comments, while DoP Marcus Winterbauer and sound engineer Carlos Ibañez argue about image and sound.

Original 35mm nitrate negative film shot by naturalist David Fleay at Beaumaris Zoo, Hobart in December 1933. Colorized by Samuel François-Steininger at the Paris-based, Composite Films, from a 4K scan of the negative by the National Film and Sound Archive Australia.

A personal, scientific, mystical exploration of Amazonian curanderismo, focus on Ayahuasca and Master Plants, their healing and visionary properties and risks, along with the Shipibo people and their songs.

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.

It’s Chicago in the 1980s and ‘90s, and Kevin Matthews has it all as one of the nation’s most recognized on-air radio personalities. He’s partying with celebrities, rubbing shoulders with famous athletes, and the world is at his fingertips. Then everything changes – he’s diagnosed with a debilitating illness and the spotlight gradually slips away. At the height of his anguish, he stumbles upon a broken statue of the Virgin Mary, and his life takes an unexpected turn. In this moment of spiritual awakening, Kevin finds his true purpose and calling, discovering what matters most. Calling himself “Mary’s Roadie,” he offers his fans something deeper: inspiration and hope.

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

Director Jean-Claude Brisseau discusses the making of his film Les anges exterminateurs (2006) in an interview.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.