When German police viciously quell a protest against the shah of Iran, popular journalist Ulrike Meinhof rebels against her dishonest marriage, walks away from her children and joins radical anarchist Andreas Baader. Together with Baader's girlfriend, Gudrun Ensslin, they form the violent Red Faction Army, and together perpetrate a slew of terrorist attacks as a way of disrupting the fabric of what they see as an increasingly fascist state.
Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.
After a worker kills a superior and commits suicide, each of his family members attempts to forge a path forward in life.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Leftist extremist groups operating in Europe have chosen violence as a political tactic: they attack the right-wing parties offices, attack the police, provoke riots in demonstrations. Although leftist violence is increasing, it receives almost no public attention. An investigation into the alleged good violence exercised in the name of a supposedly just cause.
In the early 60s, Bernward Vesper and fellow university student Gudrun Ensslin begin a passionate love in the stifling atmosphere of provincial West Germany. Dedicated to the power of the written word, Bernward and Gudrun found a publishing house whose first publication is, paradoxically to many, a controversial past work of Bernward's ostracized father, an infamous Nazi author. Bernward defends his father's writing ability, even if he is haunted by his father's suspicious past.
Do Útero Ao Túmulo
The never-before-told story of the Brotherhood of Eternal Love – a spiritual group of surfers and hippies in Southern California that became the largest suppliers of psychedelic drugs in the world during the 1960s and early 1970s. Bonded by their dreams to fight social injustice and spread peace, this unlikely band of free-spirited idealists quickly transformed into a drug-smuggling empire and at the same time inadvertently invented the modern illegal drug trade. At the head of the Brotherhood, and the heart of this story, is the anti-capitalistic husband and wife team, who made it their mission to change the world through LSD.
Young student runs away from a 1984-esque dictatorship, lives for a while with a crazy girl in a surrealistic “igloo” in snowy wilderness and then returns to lead a revolution against the oppressive system. Sci-fi tale consistent with the political climate of May 68.
A feature documentary investigation into the colourful and sometimes controversial life of Vancouver lawyer, city councillor and socialist icon Harry Rankin.
Michel Recanati was a militant leader in the May, 1968 riots in Paris, organizing many groups to meet, discuss, and act on leftist principles both before and after the disturbances. He was imprisoned for a short while in 1973. Disillusioned after the failure of the demonstrations and the death of the only woman he had loved, his life seems to have changed from a period of hope and activism to one of bottomless despair. His friend, Romain Goupil wrote and directed this biographical documentary. Death at 30 received the 1982 Cannes Film Festival's Golden Camera Award for "Best First Feature-Length Film."
Every American who has listened to the radio knows Guthrie's "This Land Is Your Land." The music of the folk singer/songwriter has been recorded by everyone from the Mormon Tabernacle Choir to U2. Originally blowing out of the Dust Bowl in Depression-era America, he blended vernacular, rural music and populism to give voice to millions of downtrodden citizens. Guthrie's music was politically leftist, uniquely patriotic and always inspirational.
A Finnish man goes to the city to find a job after the mine where he worked is closed and his father commits suicide.
Nikander, a rubbish collector and would-be entrepreneur, finds his plans for success dashed when his business associate dies. One evening, he meets Ilona, a down-on-her-luck cashier, in a local supermarket. Falteringly, a bond begins to develop between them.
Sunday in August
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation with his daughter's attractive friend.
Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, dreaming up little numbers to the rhythmic beats of her surroundings.