Frank Zappa: Does Humor Belong in Music?

This DVD contains a filmed rehearsal of Frank Zappa and the Mothers of Invention at the legendary Beat Club in Bremen, Germany, on 6th October 1968. The music is largely one long improvisatory continuous performance rather than a run-through of their greatest hits, but is punctuated by Zappa directing the band to play the opening themes of some of his more well-known pieces.

For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart

Released to coincide with the 30th anniversary of this classic album, learn how Pink Floyd assembled "Dark Side of the Moon" with the aid of original engineer Alan Parsons. All four band members--Roger Waters, David Gilmour, Nick Mason, and Richard Wright--are interviewed at length, giving valuable insights into the recording process. The themes of the album are discussed at length, and the band take you back to the original multi track tapes to illustrate how they pieced together the songs. With individual performances of certain tracks from Roger, David, and Richard included, this is an essential purchase for any Pink Floyd fans, and a fascinating artefact for rock historians everywhere.

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

British progressive rock band Pink Floyd perform at the ancient Roman Amphitheater in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew.

This is the Holy Grail for progressive rock fans. Emerson Lake and Palmer are captured here at the very beginning of a legendary career. Filmed at the time when the band had only just recorded their ground breaking first album, ELP had to use all of their huge individual creative talents to create a full show. That's what makes this film so special. Extensive improvisation virtuoso playing by Keith Emerson, inventive percussion from Carl Palmer and a bravura performance at the mike by the young Greg Lake make this an essential addition to the collection of any fan of the progressive rock era. TRACK LIST 1. The Barbarian 2. Rondo/Bach Improvisations 3. Drum Solo 4. Nutrocker 5. Take A Pebble 6. Knife Edge

Zappa Plays Zappa is the name of a concert tour and band led by Dweezil Zappa, the oldest son of the late composer and musician Frank Zappa. The show is a collection of Frank Zappa's rock-oriented compositions from 1960s to 1980s. Features Dweezil on lead guitar, Napoleon Murphy Brock (sax, flute, vocals), drummer/singer Terry Bozzio and electric guitarist Steve Vai.

Filmed live at London's Rainbow Theatre in December 1972, the innovative group Yes performs its progressive rock symphonies -- epic compositions that influenced new trends in contemporary music. "Yessongs" provides a visual record of the concert tour that became a groundbreaking tour de force in rock music. This unique concert video of Yes was filmed during their record-breaking tour and features the talents of the five original band members. The massively popular band defined the prog rock movement with their mystical epics which infused both a Medieval and Classical sound into rock music. Titles performed include "Close to the Edge," "All Good People," and "Roundabout."

This live recording was culled from seven September 1992 concerts given in Vienna, Berlin, and Frankfurt by the Ensemble Modern, a Frankfurt-based chamber orchestra that performs only contemporary music. Composed and conducted by Frank Zappa.

Rick Wakeman tells the story of the concept album from Woody Guthrie to the present day - a musical format usually based around a structured narrative that developed to become the equivalent of rock 'n' roll theatre.

2112 was the album that saw Rush break through to major chart success, going to No.1 in their native Canada and Top 75 in the USA where it would eventually be certified triple platinum. Moving Pictures opened them to a mass audience for the first time and remains the biggest selling album of their career. It also went to No.1 in Canada and went quadruple platinum there while hitting No.3 in both the UK and USA. Rush members Geddy Lee, Alex Lifeson and Neil Peart talk us through the making of the albums, together with original producer Terry Brown via interviews, demonstrations, archive videos and use of the original multi-track tapes.

In the 1970s, England's Electric Light Orchestra (aka ELO) was renowned for both its lushly textured prog rock and its ornately orchestrated arena concerts. This program captures the band performing live at London's Wembley Stadium in support of their OUT OF THE BLUE album in 1978, combining a spectacular light show and special effects with classic tunes such as "Standing in the Rain," "Sweet Talking Woman," "Mr. Blue Sky," and many more.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

In 1972, Lou Reed's second solo album Transformer elevated him from a minor cult figure to one of the best known and most talked about artists in rock & roll, with its incisive portrait of the demimonde and the distinctive hit single "Walk on the Wild Side." Classic Albums: Lou Reed -- Transformer offers a look at the making of this landmark album, with Lou Reed and engineer Ken Scott offering an in-depth perspective on the recording sessions, and Herbie Flowers revealing how he came up with his memorable bass line for "Walk on the Wild Side."

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

It is now over 25 years since the launch of The Wall. Conceived by Roger Waters as an ambitious double album, a spectacular live show and a ground breaking feature film. The Wall has gone on to achieve iconic status in the history of popular music. This program draws on live performance footage of Pink Floyd and highlights from the film. Also includes extracts from archive interviews with Gerald Scarfe and Alan Parker, the director of The Wall, along with the views of a team of leading musicians and musicologists. This is the independent critical review of a milestone in popular culture, which strips away the prejudice to produce the ultimate retrospective on one of the most important and iconoclastic popular works of the twentieth century. Featuring Highlights From: • Another Brick in The Wall Part 2 • Comfortably Numb • One Of My Turns • Plus Many More!

This film tells (using modern day interviews and archival footage and sound tapes) the story of how in 1967, while his band The Beach Boys triumphantly toured abroad, Brian Wilson was trying to push the boundaries of conventional pop music with a new follow-up to the Beach Boys' cutting-edge mega-hit, Pet Sounds. The new album was to be called "SMiLE". SMiLE pushed the envelope both musically and lyrically, and was supposed to out-do the Beatles' Sgt. Pepper record. But Brian wasn't able to sell the project to his band-mates when they returned. The project was shelved and Wilson's well-documented decline into depression, drug abuse, recluseness, and obesity had begun. Thirty-odd years later, Wilson announced that in 2004, SMiLE would be performed live in its entirety in London. This film tells the story of a damaged but healing artist bringing his greatest work to light.

Frank Zappa: Phase Two is a 2002 documentary about Frank Zappa. It features a lot of footage from Scheffer's previous film, but new material from Malcolm McNab's private achive.

The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.

If ever there was an album worthy of inclusion in Eagle Vision’s Classic Albums series it is Queen’s breakout release A Night At The Opera. Released in 1975, this was not only the band’s first platinum album, but also the one that catapulted them into the spotlight as one of the biggest rock acts in the world. Now for the first time, fans are offered an in-depth look at one of rock music’s seminal records with the Classic Albums DVD Queen — The Making Of A Night At The Opera.