Frank Zappa: Does Humor Belong in Music?

As a major storm strikes Texas in 1900, a mysterious televisual device is built and tested. Blake Williams’ experimental 3D sci-fi film immerses us in the aftermath of the Galveston disaster to fashion a haunting treatise on technology, cinema, and the medium’s future.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

Experimental short film exploring New York City's multicultural history through the eyes of three chosen individuals.

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.

The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.

Magma - Myths and Legends Volume IV

A depiction of a girl’s uneasy state of mind as it wavers between life and death.

This DVD contains a filmed rehearsal of Frank Zappa and the Mothers of Invention at the legendary Beat Club in Bremen, Germany, on 6th October 1968. The music is largely one long improvisatory continuous performance rather than a run-through of their greatest hits, but is punctuated by Zappa directing the band to play the opening themes of some of his more well-known pieces.

The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.

Neal Morse: Question Mark and Sola Scriptura Live

For 13 years the quartet Long Distance Calling, which is based in Münster, has been praised and celebrated for its equally weightless and colossal music. After returning to their instrumental roots, Long Distance Calling planned the next step. Under the perfect tour title 'Seats and Sounds', the band performed in front of a seated audience.

Released to coincide with the 30th anniversary of this classic album, learn how Pink Floyd assembled "Dark Side of the Moon" with the aid of original engineer Alan Parsons. All four band members--Roger Waters, David Gilmour, Nick Mason, and Richard Wright--are interviewed at length, giving valuable insights into the recording process. The themes of the album are discussed at length, and the band take you back to the original multi track tapes to illustrate how they pieced together the songs. With individual performances of certain tracks from Roger, David, and Richard included, this is an essential purchase for any Pink Floyd fans, and a fascinating artefact for rock historians everywhere.

Working completely outside the mainstream, the wildly prolific, visionary Stan Brakhage made more than 350 films over a half century. Challenging all taboos in his exploration of “birth, sex, death, and the search for God,” he has turned his camera on explicit lovemaking, childbirth, even autopsy. Many of his most famous works pursue the nature of vision itself and transcend the act of filming. Some, including the legendary Mothlight, were made without using a camera at all, as he pioneered the art of making images directly on film, by drawing, painting, and scratching.

British progressive rock band Pink Floyd perform at the ancient Roman Amphitheatre in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew.

Life in Notting Hill Gate, concentrating on key problems like housing, welfare and drugs, and featuring interviews with local personalities.

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.

This is the Holy Grail for progressive rock fans. Emerson Lake and Palmer are captured here at the very beginning of a legendary career. Filmed at the time when the band had only just recorded their ground breaking first album, ELP had to use all of their huge individual creative talents to create a full show. That's what makes this film so special. Extensive improvisation virtuoso playing by Keith Emerson, inventive percussion from Carl Palmer and a bravura performance at the mike by the young Greg Lake make this an essential addition to the collection of any fan of the progressive rock era. TRACK LIST 1. The Barbarian 2. Rondo/Bach Improvisations 3. Drum Solo 4. Nutrocker 5. Take A Pebble 6. Knife Edge

Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.