Frank Zappa: Does Humor Belong in Music?

The story of Yes is as controversial as their music. The twists and turns of band's career is now told for the first time in a series of exclusive interviews with Yes members past and present for this definitive and fully authorised documentary.

A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.

Marilyn Manson: Anti-Christ Superstar

Shot on July 23, 1968, this historical 16mm footage of Frank Zappa and The Mothers of Invention at Whisky a Go Go in West Hollywood, CA has been newly restored from the Vault! The film has been newly synced to the 2023 mixes, marking the first time it's ever been seen with audio. Frank Zappa never had the opportunity to see this footage synced to the music. Now you do. The film was shot in increments and features silent performance footage of The Mothers along with scenes involving The Freaks and the premier of The GTO's (Girls Together Outrageously). In the audience were Flo & Eddie (The Turtles), John Mayall, Elliot Ingber (The Fraternity Of Man), Alice Cooper and members of the Rolling Stones.

Zappa Plays Zappa is the name of a concert tour and band led by Dweezil Zappa, the oldest son of the late composer and musician Frank Zappa. The show is a collection of Frank Zappa's rock-oriented compositions from 1960s to 1980s. Features Dweezil on lead guitar, Napoleon Murphy Brock (sax, flute, vocals), drummer/singer Terry Bozzio and electric guitarist Steve Vai.

An American Dissident: un tributo a Frank Zappa is an Italian documentary that aired on the Videomusic channel on January 7, 1994. It includes footage from Zappa's Universe, Video From Hell, Does Humor Belong In Music?, Baby Snakes, The True Story Of 200 Motels, The Late Show, Zappa's May 17, 1988 show at Palacio de Deportes in Barcelona, Spain, The Dub Room Special, various other interviews and performances.

Ground breaking music videos from some of the most influential bands of the 90s Punk/Grunge scene such as the Flaming Lips, Mudhoney, Bad Brains, Afghan Whigs, Foetus Inc, Soul Asylum, American Music Club, Babes in Toyland, Dinosaur Jr and more.

William Brown, a neurotic, self-absorbed musician determined to finish his prog-rock magnum opus, faces a creative roadblock in the form of a noisy and grotesque neighbor named Vlad. Finally working up the nerve to demand that Vlad keep it down, William inadvertently decapitates him. But, while attempting to cover up one murder, William’s accidental reign of terror causes victims to pile up and become undead corpses who torment and create more bloody detours on his road to prog-rock Valhalla.

A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.

This film traces the path Floyd took after the recording of the Animals album - an era when cracks in the band first started to show - and brings the strange story of the group and the intense relationship between Waters and Gilmour right up to date with the unexpected collaboration of these two maverick musicians at a 2010 charity event. Featuring numerous interviews.

For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart

Frank Scheffer's (collage like) documentary on the American composer and rock guitarist Frank Zappa, as broadcast by VPRO in the Netherlands April 22,2007. Most of what’s on here is seen before, particularly in Roelof Kier’s 1971 documentary and/or Scheffer’s own documentary “A present day composer refuses to die”. But there is some new stuff too, particularly interviews with Denny Walley, Haskell Wekler, Elliot Ingber and Bruce Fowler.

With melodic progressive rock and socially critical lyrics, the British band Porcupine Tree also gained a large fan base in Germany at the turn of the millennium. In 2005, Rockpalast filmed them at their gig in Cologne's Live Music Hall. At their concert in Cologne, the band played a varied set of 15 songs, including their hit at the time, Lazarus.

This DVD features performances and interviews with some of the best drummers to ever work with Frank Zappa: Terry Bozzio, Chester Thompson, Chad Wackerman, Ruth Underwood, and Ralph Humphrey.

Made by film students, the short film is a tribute and authorial reinterpretation inspired by old Pink Floyd music videos as a psychedelic trip. Using overhead projectors to capture a liquid light show, the narrative is stitched together from a retro photograph, bringing a bit of 60s psychedelia with an air of nostalgia. With the combination of two of the band's songs ("Echoes" and "Astronomy Domine"), the music video brings the concept of the realism and ludic, of the present moment and insanity. Composed of characters who are part of a fictional band and travel through the delight of a mind that lives in the past while resting in reality.

“For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological transformation into a cinematic actor, separate from the cues that have associated Sasha with her previous career as a performance artist working within the adult film world.” – Richard Phillips

Boing, We'll Do It Live! is the first live album of The Aristocrats, released on December 10, 2012. Footage and sound for this release were recorded in two concerts held at Alvas Showroom in Los Angeles, California. During those concerts the band played material from their debut album as well as songs from each band members' solo projects. The album was released on double-CD and DVD. The deluxe edition consists of both the DVD and the two CDs including two bonus tracks not featured on standard editions.

Speaking upon the release of ‘Bodyguard’, Black Dahlia said: “Bodyguard is a theatrical exploration of gaining a new body but your soul remains. It is a sonnet to your past physical body in this realm and the new union that will inevitably be formed. A harsh and gentle celebration of your capabilities, your limits, and your destiny.” As well as being the Director for the music video, Black Dahlia was also Producer, Art Director, Choreographer, and Concept creator for the project. Donning various characters, Black Dahlia embodies performance art and its mediums such as contortion, mime, surrealism, Dada, the avant-garde, and body horror. ‘Bodyguard’ follows Black Dahlia in various theatrical forms and her journey to transformation through reanimation that looks reminiscent of a John Waters film. It also features cameos from Melbourne-based artists, Bura Bura as Dr Barget Hower, Manda Wolf as Dr Avanti and Cong Josie as Dr Cong.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

A musical audiovisual journey in four parts. A young man finds himself unexpectedly taking an audiovisual odyssey into a world of surreality, slowly recounting his memories, revealing the puzzle pieces that led him to where he is, and maybe how he can get out.