Uncle Tommy Goes Back

Carnival time in Quebec, Canada, is also time for racing with sled-dogs, horse-drawn sleighs, hockey, curling the carving of ice-statues, obstacle races by youngsters, fireworks, and also the selection of a Carnival Queen.

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.

In-depth look at the twilight years, spent training apprentices, of temple builder Nishioka Tsunekazu, who was called the "devil" as he devoted his life to temple architecture. His insistence on the gargantuan timescale of linking life to the next millennium emerges from people who knew him. Remarkable as well for showing the unknown backstage of temple architecture. Nishioka, known as "the last temple carpenter," handled the major Showa-era repairs of Horyuji temple, and in 1990 was at the scene of the reconstruction work for Yakushi temple.

Dos Antigos aos Filhos do Amanhã

Masset, a Haida village in the Queen Charlotte Islands, holds a potlatch.

In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.

Prelude to a portrait of Jean-Pierre Facquier, ch’l’eintailleu (wood carver) in the Saint-Leu district of Amiens: a free mind self-removed from social determinism, who gives new life to wood through constant dialogue, both with nature and his alter ego, the puppet Lafleur..

When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a lonely ill-tempered woodcarver to create a replacement, and to allow her son to watch him work on it.

In this entertaining Puppetoon animated short film, a young boy, Jasper, gets trapped inside a pawnshop at midnight. All the musical instruments come to life and play jazz. A whooping wooden Indian chief self-animates as well, and goes on the warpath.

A day in the life of Marta, a raspberry grower who doesn't give up on her dreams.

Part two of two teaching films about human anatomy which is devoted to the action of the skeletal muscles in producing movement of the bones at the joints of the human skeleton. It uses live action and animated medical illustrations as well as an actual skeleton with commentary. A man, naked to the waist, also demonstrates the relevant physical processes such as respiration.

Told from the point-of-view of a fan, this documentary provides a behind-the-scenes look at morning radio with one show in particular as the centerpiece - The Preston and Steve Show on 93.3FM WMMR in Philadelphia, PA. Taking over a year to shoot, this film includes interviews with the talented air team of Preston and Steve, coverage of their live events and celebrity guests such as Stephen Lynch and Chris Hardwick. Fans of the show are highlighted as Preston and Steve have a wildly devoted fan base that is not afraid to go to extremes to show just how much they love this show.

A teaching film about the human skeleton with animated medical illustrations as well as an actual skeleton with commentary. A man, naked to the waist, also demonstrates the relevant anatomy. X-ray cineradiography illustrates the movement of the arm.

Elite sport climbers Sasha DiGiulian and Matilda Söderlund team up with trad specialist Brette Harrington to attempt a free ascent of the 2,000-foot alpine rock route, Rayu – a 5.14 in Spain's Picos de Europa. Unrepeated since its first ascent by the Basque Pou brothers and Kiko Cerdá in 2020, Rayu combines heady trad climbing with a burly sport crux on a steep headwall a thousand feet off the deck. Living on the wall for days on end, the team battles stormy weather, loose rock, and the tension between personal goals and group success. As their psyches and fingertips fray, this adventure classic keeps you right on the edge.

Ueli Steck (Switzerland), Simone Moro (Italy) and Jon Griffith (GB) are not like 95% of the climbers on Everest: they don't use oxygen, altimeters (improperly called Sherpas), or fixed ropes. In 2013, the trio aims to repeat the arduous Western Spur. The Sherpas have the mission to equip the mountain with fixed ropes on this famous day, up to Camp 3: ropes without which customers of commercial expeditions could not climb Everest. An argument ensued, insults were hurled from both sides. The confrontation at Camp 2 degenerated: a Sherpa water bottle physically attacked the trio of Europeans. Blows and stones were thrown and threats led the trio to flee the mountain. The Réel Rock film crew, which is part of the climbing team, films this chaos without complacency.

Высоцкий. Неизвестные страницы. "Одесская тетрадь"

Greyhounds of the Sea

Operación Siglo XX

Rómulo Resiste