In the 50 years since he carved his first totem pole, Robert Davidson has come to be regarded as one of the world’s foremost modern artists. Charles Wilkinson (Haida Gwaii: On the Edge of the World) brings his trademark inquisitiveness and craftsmanship to this revealing portrait of an unassuming living legend. Weaving together engaging interviews with the artist, his offspring, and a host of admirers, Haida Modern extols the sweeping impact of both Davidson’s artwork and the legions it’s inspired.
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
In-depth look at the twilight years, spent training apprentices, of temple builder Nishioka Tsunekazu, who was called the "devil" as he devoted his life to temple architecture. His insistence on the gargantuan timescale of linking life to the next millennium emerges from people who knew him. Remarkable as well for showing the unknown backstage of temple architecture. Nishioka, known as "the last temple carpenter," handled the major Showa-era repairs of Horyuji temple, and in 1990 was at the scene of the reconstruction work for Yakushi temple.
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
When Masset, a Haida village in Haida Gwaii (formerly known as the Queen Charlotte Islands), held a potlatch, it seemed as if the past grandeur of the people had returned. This is a colourful recreation of Indigenous life that faded more than two generations ago when the great totems were toppled by the missionaries and the costly potlatch was forbidden by law. The film shows how one village lived again the old glory, with singing, dancing, feasting, and the raising of a towering totem as a lasting reminder of what once was.
Dos Antigos aos Filhos do Amanhã
Follows Haida artist Bill Reid, from British Columbia. A jeweller and wood carver, he works on a traditional Haida totem pole. We watch the gradual transformation of a bare cedar trunk into a richly carved pole to stand on the shores of the town of Skidegate, in the Queen Charlotte Islands of B.C.
Prelude to a portrait of Jean-Pierre Facquier, ch’l’eintailleu (wood carver) in the Saint-Leu district of Amiens: a free mind self-removed from social determinism, who gives new life to wood through constant dialogue, both with nature and his alter ego, the puppet Lafleur..
Carnival time in Quebec, Canada, is also time for racing with sled-dogs, horse-drawn sleighs, hockey, curling the carving of ice-statues, obstacle races by youngsters, fireworks, and also the selection of a Carnival Queen.
Ethnologist Marius Barbeau introduces us to indigenous mythology. Masks, dances, songs, and totems are used to give the audience a highly suggestive representation of the "biblical" history (Mr. Barbeau's word) of Indigenous tribes.
When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a lonely ill-tempered woodcarver to create a replacement, and to allow her son to watch him work on it.
In this entertaining Puppetoon animated short film, a young boy, Jasper, gets trapped inside a pawnshop at midnight. All the musical instruments come to life and play jazz. A whooping wooden Indian chief self-animates as well, and goes on the warpath.
An hour-long documentary featuring interviews with various filmmakers who've made a name in the direct-to-video market.
Hour long documentary features interviews with filmmakers, actors and others who work low budget movies.
The history and humor of the fart.
Subtitled "Bloopers, Babes and Blood!," this video features scenes from numerous CInema Home Video releases as well as behind the scenes footage and bloopers from Nightmare Sisters (1988) and Dr. Alien (1989).
An epic journey through Don Quixote's troubled mind, from which five paths to the unknown are opened: to reason, to freedom, to love, to friendship, to adventure; although only three destinations await at the end of an imaginary and audacious existence: the narrative of the adventurous life of Cervantes; the survival of a legendary novel in these heathen times, when the one-armed gentleman is nothing but dust and bones; the memory of the living, writers and scholars, where both the tormented captive and the insane hero, are immortals beings and will be forever.
When Wayne Rooney scored against Switzerland at Wembley in September 2015, he became England's greatest ever goalscorer, eclipsing a record held by Sir Bobby Charlton for almost half a century. But who is the real Wayne Rooney, off the pitch and away from the glare of the media spotlight? For the first time, he has allowed a television production team, as well as BBC football presenter Gary Lineker, unique access to his life with wife Coleen and their two sons, Kai and Klay. Wayne takes us back to Merseyside as we meet both his and Coleen's parents, and we discover the details of the couple's early life together. Featuring extensive interviews with Rooney himself, plus Coleen Rooney, Wayne's parents, David Beckham and Real Madrid star Cristiano Ronaldo, along with a host of figures from the world of football, Rooney: The Man Behind the Goals offers an extraordinary personal portrait of life in Wayne's world.
Visual effects company Industrial Light & Magic motivates a generation of filmmakers and scientists; founder George Lucas and others tell about the hoverboards, Terminators and dinosaurs that are no longer the stuff of sci-fi.
Centering on L'Ecuyer's identity as a gay man, the film unfolds as a series of vignettes depicting various key moments in his life.