I Am Not a Rapist

Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.

Radical feminist Andrea Dworkin's expose on the pornography industry.

Reynhard Sinaga is the UK's most prolific rapist. Posing as a good Samaritan outside Manchester nightclubs, he drugged, sexually assaulted and filmed his depraved acts with at least 200 young men for the past 12 years.

One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.

At 25, Christian begins to remember the rape he suffered as a child, so he decides to go to see the sea for the first time. The trip is traversed by the ghosts of the past, an uncertain present and a painful letter that tries to reveal the presence of a rapist.Christian tries to document his process to overcome his crisis and strengthen his relationship with Marlene, his mother. The two are not only closely linked by blood ties, but also by the silence that their bodies have kept for years.

An artistic hybrid documentary, ZERO IMPUNITY is the centerpiece of an ambitious global transmedia project. ZERO IMPUNITY sheds a powerful spotlight on the seemingly total Impunity for the use of sexual violence in armed conflicts worldwide. ZERO IMPUNITY is an important and necessary eye opening Scream, raising awareness and outrage.

A feature-length documentary about the Free Kevin movement and the hacker world.

Their words had never been heard before. Co-directed by French-Rwandan musician and author Gaël Faye and director Michael Sztanke, this movie records with sensitivity and for the first time the testimonies of Prisca, Marie-Jeanne and Concessa about their lives during the genocide and after. The three Tutsi women tell the camera about their daily lives during the genocide and in the refugee camps of Murambi and Nyarushishi, where they lived a nightmare under the guard of the French soldiers of the Opération Turquoise who, under a UN mandate, where supposed to protect them. While the French army denies any rape accusation, the three women filed complaints with the French justice system in 2004 and 2012. The investigation is now at a standstill.

Domestic service worker Lera is accused of a crime. In a cell in the premises of a Civil Guard barracks, she meets Mihaela and Julia, two prostitutes with whom she shares the story of Santa Vicenta María, founder of the Religious of Mary Immaculate, which she says saved her life.

Never-before-heard eyewitness accounts from released hostages, survivors, and first responders during the October 7 attacks on Israeli towns and at the Nova Music Festival show the disgusting extent of the crimes of so-called Palestinian freedom fighters. Women and girls were raped, assaulted, and mutilated by members of the Hamas terrorist group and murderous Palestinians from the Gaza Strip who joined this mob. Released hostages have revealed that Israeli captives in Gaza have also been sexually assaulted. Despite the indisputable evidence, these atrocities have received little scrutiny from human rights groups and international organizations. Many leading figures in politics, academia, and media have attempted to minimize or even deny that they occurred. In this documentary, Sheryl Sandberg conducts in-depth interviews with witnesses and survivors of the events that reveal the full sad extent of the Hamas massacre.

The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.

An investigation into accusations of teenagers being sexually abused within the film industry.

Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.

The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.

The shocking finale of the titular trilogy, which features graphic footage of the macabre and grotesque as directed by Brazilian filmmaker Lázaro Hahn.

Two girls in their early 20s explore topics of femininity, girlhood, and normalized violence perpetrated on women.

The modern criminal justice system is hindered by the fact that countless rape kits remain untested in police evidence storage facilities across the United States. Only eight states currently have laws requiring mandatory testing of rape kits.

A moving account of the experiences of men exonerated after years, and sometimes decades, in prison following newly found DNA evidence.

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.