After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
Inspired by the student revolutions of 1968, two women in Germany and Japan set out to plot world revolution as leaders of the Baader Meinhof Group and the Japanese Red Army. What were they fighting for and what have we learned?
There were five Marines and one Navy Corpsman photographed raising the U.S. flag on Mt. Suribachi by Joe Rosenthal on February 23, 1945. This is the story of three of the six surviving servicemen - John 'Doc' Bradley, Pvt. Rene Gagnon and Pvt. Ira Hayes - who fought in the battle to take Iwo Jima from the Japanese.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Un samouraï au Vatican
What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.
A documentary film that includes footage of past Olympics held in different countries with an particular emphasis on the activities and successes of Japanese athletes and how they are currently (circa 1963) improving themselves.
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.
Joe Enders is a gung-ho Marine assigned to protect a "windtalker" - one of several Navajo Indians who were used to relay messages during World War II because their spoken language was indecipherable to Japanese code breakers.
Anna Tsuchiya blasts back in time playing an oiran, a top-notched geisha of the Edo period’s Yoshiwara District, navigating brothel politics while trying to cling to the man she loves.
Zatoichi is sworn to protect the life of a young girl and without any real allies finds himself in the middle of a bloody turf war.
In Japan, a survivor of the 2011 tsunami turns beach debris into gorgeous jewelry.
Historical movie set during the Japanese occupation of China during WWII. Jackie Chan is one of the good guys but has nothing much more than a supporting role.
Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.
Siblings Aru, age 3, and Kino, age 1, have 3 parents: father Fumino, who is transgender; mother Honoyo, Fumino's partner who gave birth to the children; and father Gon, a close gay friend who donated his sperm. The 3 are now raising their children together, struggling repeatedly to find their own way of being a family. This program covers their first 3 years of parenting. And it asks an important question: What does it take to be a family?
Through the lives of professionals working at Tsukiji Fish Market in Tokyo, the film portrays how Tsukiji has been the center of fish culinary culture and helped Japanese food culture to flourish as we know it today.
The story of the International Military Tribunal for the Far East, known as the Tokyo Trial, which, just after the Second World War, was established in Japan as a special jurisdiction in 1946 (it was closed in 1948) to judge the war crimes of the Japanese leaders; and how and why officials in Washington prevented Emperor Hirohito to be seen sat on the bench.
Charles Rangeley Wilson, author, journalist and BBC 2's Accidental Angler, travels to Japan to explore the Japanese people's passionate relationship to fish.
Bianca Charamsa made her way to Japan during this year's cherry blossom season to get to grips with the country's character through conversations with some of its artists. Although two violent atomic catastrophes - the bombing of Hiroshima and the Fukushima nuclear disaster - have shaken and shaped modern-day Japan, the artist Takahiro Iwasaki believes that memory of 6th and 9th August 1945 is slowly fading, despite all the folded cranes left by visitors to the memorial sites. Natural catastrophes like sea- and earthquakes also rock Japan time and time again; perhaps this explains why the Japanese aesthetic Wabi Sabi incorporates both beauty and decay...much like the beauty of the cherry blossom as it withers during the annual festival of Hanami
In 1985, Chris Marker traveled to Japan to attend the filming of Ran, directed by Akira Kurosawa. Marker analyzes the progress of filming; the infinite patience of a team under the orders of a meticulous director down to the smallest detail; the antithetical mixture of the modern with the traditional; of the real with the fictitious; of life with cinema… and literature.